{"title":"Genre - Future Jazz","description":"","products":[{"product_id":"juniuspaul-ism","title":"Junius Paul - Ism","description":"\u003cp\u003e The Chicago bassist’s solo debut—featuring guests including Makaya McCraven, Isaiah Spencer, and Tomeka Reid—ranges widely, from free jazz to post-bop to meditative tone poems. – \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/junius-paul-ism\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePitchfork\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eA bridge between generations of the Chicago vanguard, currently playing in Makaya Mcraven’s combo and in the Art Ensemble of Chicago, Junius Paul pushes forward as a creative Musician, carrying with him the spirit and knowledge he’s gathered from those who came before him. The freedom expressed on Ism perfectly captures Paul’s artistic roots, while also nodding to his collective \u0026amp; current experience. A must listen for fans of the Chicago jazz scene!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/4rNkTzgOhqqfaWXqiWUeFR\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company ‎– IARC0028\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: 2 × Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: Nov 2019\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Contemporary Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456435495070,"sku":"603784912158","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/52d8b4c54fd59080648a3dc843efbcd725d1eff7.jpg?v=1646290359"},{"product_id":"badbadnotgood-iii","title":"BadBadNotGood – III","description":"\u003cp\u003eBADBADNOTGOOD is a young supremely talented trio of musicians made up of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on drums. Since their inception at Humber College’s Music Performance program in 2011, the three have challenged the rule book on improvised instrumental music and taken jazz tradition into the future. With early champions including acclaimed BBC broadcaster Gilles Peterson and Tyler The Creator who helped fuel their discovery with a series of live jams that instantly went viral and dubbed them the “Odd Trio”, the band released their first EP BBNG in June 2011 to wide praise. The marriage of jazz virtuosity and hip hop source material offered a fresh take on the traditional “standard” applied to hip hop classics by taking on choice cuts from the golden era rap cannon and writing inspired arrangements for them instead of one-dimensional covers.\u003c\/p\u003e\n\u003cp\u003eThe band hit a landmark by introducing original material into their composi- tions with BBNG2 in 2012. New songs like “Rotten Decay”, “Vices” or “UWM” carried on the proud heritage of musical juxtaposition by bringing together jazz, hip hop, punk, and dance music into vigorous balance. Since then, they’ve won praise from the four corners of the globe and collaborated with Frank Ocean, Earl Sweatshirt, MF Doom, Pharaoh Monch and RZA among many. Their no- torious live performances have brought fans across the whole musical spectrum together, taking the band around the world from Coachella to Glastonbury.\u003c\/p\u003e\n\u003cp\u003eNow, the inseparable friends are prepping to release their biggest project to date III on prodigious young label Innovative Leisure, a highly-anticipated project ushering in the group’s newest explorations which are proving to be limitless. – \u003ca href=\"https:\/\/badbadnotgoodil.bandcamp.com\/releases\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInnovative Leisure\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3399013291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e↓\u003cbr\u003eLabel: Innovative Leisure Records\u003cbr\u003eFormat: 2 x Vinyl, LP, Album\u003cbr\u003eReleased: 2014\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Contemporary Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Modern \/ Future Jazz\u003cbr\u003e⦿\u003c\/p\u003e","brand":"Innovative Leisure Records","offers":[{"title":"Default Title","offer_id":41456465117342,"sku":"810874020505","price":55.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a0977447903_10.jpg?v=1717062665"},{"product_id":"marcus-strickland-twi-life-people-of-the-sun","title":"Marcus Strickland Twi-Life – People Of The Sun","description":"\u003cp\u003e“Saxophonist and composer Marcus Strickland is a seasoned veteran who helped to pioneer this new rhythm and production aesthetic in jazz with 2006's double-length Twi-Life and 2016's brilliant, Meshell Ndegeocello-produced Nihil Novi, his debut for Blue Note. Since then, Strickland has toured the globe as a headliner with Twi-Life (keyboardist Mitch Henry, bassist Kyle Miles, and drummer Charles Haynes) and as part of the Blue Note All-Stars. On many levels, People of the Sun picks up where Nihil Novi left off, but goes deeper and wider. The previous set was deeply influenced by Strickland's cultural and musical upbringing. As a child he was exposed to both Afro-Caribbean traditional and popular sounds as well as Southern rap, Motown, John Coltrane, and George Clinton's P-Funk enterprise. Those sounds and many others entwine inside groove-laden post-bop, modal, and contemporary jazz frameworks while extending and subverting the entire jazz tradition. In addition to his bandmates, Strickland enlisted close collaborator and trumpet ace Keyon Harrold and Cuban session percussionist Weedie Braimah.” – \u003ca href=\"https:\/\/www.allmusic.com\/album\/people-of-the-sun-mw0003210682\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cu\u003eAll Music\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/1fcW8hqfnmEL92lGeJ33fi\" allowtransparency=\"true\" allow=\"encrypted-media\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0X8HtIoEIek\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W_qHAaaUBEA\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem description:\u003c\/strong\u003e        \u003c\/p\u003e\n\u003ctable width=\"374\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eMarcus Strickland Twi-Life\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003ePeople of the Sun\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eBlue Note, Revive Music\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eVinyl, LP, Stereo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003ePressing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eUSA \u0026amp; Canada\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e29\u003csup\u003eth\u003c\/sup\u003e November 2018\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eJazz, Funk \/ Soul\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eContemporary Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog No:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eB002898301\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNew\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blue Note Records \/ Revive Music","offers":[{"title":"Default Title","offer_id":41456597467294,"sku":"602567923350","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/f327ccac24be7d3dd5bbb688297170000e40e01b.jpg?v=1646292662"},{"product_id":"cykada-cykada","title":"Cykada - Cykada","description":"\u003cp\u003e“Cykada is a band of established musicians on the London scene, having played in groups including, Myriad Forest, EZRA Collective, Maisha, Where Pathways Meet, Family Atlantica and Don Kipper. Bassist Jamie Benzies is the spine of the project, along with Tilé Gichigi-Lipere, also a fellow former member of the legendary band Myriad Forest and Drummer Tim Doyle aka Chiminyo, together were the first members of Cykada. Jamie mentioned in one interview:\u003c\/p\u003e\n\u003cp\u003e'I became more keen on doing something which has a longer vision. Where you get together with people you know you can work with, people you love sharing a space with and you take your time, you make sure you’re enjoying your music and as that comes, everything else comes.'\u003c\/p\u003e\n\u003cp\u003eTrumpeter Axel Kaner-Lidstrom, Saxophonist James Mollison and secret weapon Guitarist Javi Pérez complete the ensemble. Tilé shows a unique and indispensable role within the band, aside from playing keys, he is programming, processing and modifying the sounds of the instruments, a massive factor in creating the distinctive vibe of the band. Cykada’s unique vibe is a testament to its members and the crucial role they each play in the creative process.” – \u003ca href=\"https:\/\/cykadaband.bandcamp.com\/album\/cykada\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cu\u003eBandcamp\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/7113DFJelRy3NyZtRk14at\" allowtransparency=\"true\" allow=\"encrypted-media\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eItem description:\u003c\/strong\u003e        \u003c\/p\u003e\n\u003ctable width=\"374\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eCykada\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eCykada\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eAstigmatic Records\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eVinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003ePressing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eUK\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e22\u003csup\u003end\u003c\/sup\u003e March 2019\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eJazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSpace-Age, Fusion, Jazz-Rock, Gypsy Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog No:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eAR008LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNew\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Astigmatic Records","offers":[{"title":"Default Title","offer_id":41456626106526,"sku":"5024545852011","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/c9106484de50b16947b9b523f98d578bc1391c36.jpg?v=1646292903"},{"product_id":"moreimagesangelbatdawidthabrothahoodlive","title":"Angel Bat Dawid \u0026 Tha Brothahood – Live","description":"\u003cp\u003eLive is a concert recording of The Oracle, made at JazzFest Berlin, where the Chicagoans' 2019 European tour began. It was not an auspicious start. The gig was preceded by a series of racist incidents Dawid and the band suffered during their short stay in Berlin, shamefully including one from JazzFest staff and another from staff at The Ellington Hotel (so named because it stands on the site of the historic Badewanne Jazz Club, which hosted Duke Ellington in the 1950s).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe upside of these incidents was that they replaced any jet lag Dawid and Tha Brothahood may have been feeling with a shot of galvanising fury. If the performances on The Oracle blaze with passion, those on Live are even more intense. Most of the material is from the earlier album, an overdubbed solo set which Dawid assembled herself and most of which she wrote. The only pieces not wholly composed by Dawid are \"Destination,\" whose topline was written by Yusef Lateef, and \"What Shall I Tell My Children Who Are Black,\" which has lyrics by the late Chicago poet and African American activist Margaret Burroughs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOf the Berlin show, Dawid says, \"It was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling. It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show. We played our ass off.\" They certainly did. – \u003cu\u003eAll About Jazz\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Charged spiritual jazz that holds a mirror up to Berlin, reflecting the city's unreasonable treatment of Black people. Cathartic, uplifting, and simmering with rage\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/5rHXkQJLQdQhnsMiXtrw5y\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company – IMRC0037\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: 2 x Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 5 Mar 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Free Jazz, Avant-garde Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456641441950,"sku":"789993991112","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/457be8e6831f8a9728e824501ee510e6a40d53ff.jpg?v=1646293168"},{"product_id":"adrianyoungealishaheedmuhammaddougcarnjazzisdead5","title":"Adrian Younge \u0026 Ali Shaheed Muhammad \/ Doug Carn ‎– Jazz Is Dead 5","description":"\u003cp\u003eDoug's newest project, his entry in the Jazz Is Dead album series helmed by Adrian Younge and Ali Shaheed Muhammad, takes his unique and timeless art and places it within the context of a musical culture that has always taken cues from his 70s classics. There's no mistaking the musical mind that created legendary albums like Infant Eyes and Adam's Apple, but the encounter of that with the distinctive jazz-hip hop-funk-noir that is the Younge\/Muhammad\/JID trademark creates something worthy of comparison to Carn's past work but which could only have been made right now. One can detect nods to musical motifs by Carn's jazz peers that have served as frequent sample fodder, but his compositional and improvisational integrity remain indisputable throughout. – \u003cu\u003eBandcamp\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/2NECEnZwEaR6at7uEP8Kmj\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Jazz Is Dead ‎– none\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eSeries: Jazz Is Dead – 5\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: 2 × Vinyl, 12\", 45 RPM, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 11 Dec 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Jazz Is Dead","offers":[{"title":"Default Title","offer_id":41456659792030,"sku":"4062548019025","price":55.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a28e624a677139656a1f29503686a4f6561e3fdb.jpg?v=1646293620"},{"product_id":"anteloper-kudu","title":"Anteloper – Kudu","description":"\u003cp\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\u003c\/p\u003e\n\u003cp\u003eLiner Notes by Rob Mazurek:\u003c\/p\u003e\n\u003cp\u003eMaking audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame. – \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/kudu\"\u003eInternational Anthem Recording Co.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Electronic, Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Avant-garde Jazz, Abstract, Experimental\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eYear: 2022\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456662904990,"sku":"789993991327","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a2913497311_10.jpg?v=1646293755"},{"product_id":"adrianyoungetheamericannegro","title":"Adrian Younge ‎– The American Negro","description":"\u003cp\u003eThe American Negro is a mammoth project from producer and multi-instrumentalist Adrian Younge: a 26-track part-spoken word, part-orchestral examination of the structural racism underpinning the identity of modern America. It forms just one part of Younge’s current projects on the same theme, including a four-part podcast, Invisible Blackness, and a short film, T.A.N.\u003cbr\u003e \u003cbr\u003e Delving into this work of immense depth, Younge harks back to the social consciousness soul of forebears such as Marvin Gaye and Donny Hathaway on the communal funk of the title track and the twinkling soul of Watch the Children. The propulsive protest rap of Revolutionize updates Gil Scott-Heron’s The Revolution Will Not Be Televised, and A Symphony for Sahara showcases Younge’s deft hand at producing a luscious, cinematic score following his work on films such as 2009’s Black Dynamite.\u003cbr\u003e \u003cbr\u003e Much more than a pastiche of influences, though, it is Younge’s impassioned spoken-word interludes – dissecting everything from the Frantz Fanon-referencing double consciousness of racial awareness to the creation of racism to solidify class structures – that give this record its unique tone and profundity. It may be an intimidating undertaking, but one that is well worth the time. – \u003ca href=\"https:\/\/www.theguardian.com\/music\/2021\/mar\/07\/adrian-younge-the-american-negro-review\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eThe Guardian\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/1b3K1rvUIaDmRP2AsLahXw\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Jazz Is Dead ‎– JID ED 1\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: 2 × Vinyl, 12\", 45 RPM, Album, Tri-Fold Jacket\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Hip Hop, Jazz, Funk \/ Soul, Blues, Non-Music\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Rhythm \u0026amp; Blues, Spoken Word, Contemporary Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Jazz Is Dead","offers":[{"title":"Default Title","offer_id":41456667852958,"sku":"4062548021950","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/984d67aab83afc9842031465d28af4cffd0e553e.jpg?v=1646293901"},{"product_id":"jeffparkerthenewbreed","title":"Jeff Parker ‎– The New Breed","description":"\u003cp\u003e\u003cstrong\u003eGorgeous | Slick | Smooth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/p\u003e\n\u003cp\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003c\/p\u003e\n\u003cp\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive. - \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/the-new-breed\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/1pcMEvzItukQlqZ0AA2Qvq\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company ‎– IARC 0009\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 24 Jun 2016\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456676012190,"sku":"664992991175","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/05f82bf8f7f1517b1ab39d046786893e233e0c72.jpg?v=1646294266"},{"product_id":"markdeclive-loweandrealombardinitommasocappellatodreamweavers","title":"Mark De Clive-Lowe, Andrea Lombardini \u0026 Tommaso Cappellato ‎– Dreamweavers","description":"\u003cp\u003eMusical maverick Mark de Clive-Lowe returns to his roots with a new electro-acoustic record ‘Dreamweavers’, displaying his talent as a pianist and composer in partnership with creative collaborators bass player Andrea Lombardini and drummer Tommaso Cappellato. The two Italians have been a consistent presence on Mark de Clive-Lowe’s European tours for several years now, and it was during a road trip from Italy to Switzerland that Lombardini and Cappellato envisioned producing an MdCL album themselves.\u003c\/p\u003e\n\u003cp\u003e‘Dreamweavers’ reflects on and celebrates the sounds that de Clive-Lowe grew up loving and finding inspiration in – from Sakamoto’s meditative melancholy and Ahmad Jamal’s soulful playfulness, to the rhythms of broken beat, boom bap and global rhythms. With the Italian rhythm section in empathetic support from start to finish both in their playing and producing, de Clive-Lowe embraces new found freedoms on ‘Dreamweavers’. - \u003ca href=\"https:\/\/markdeclivelowe.bandcamp.com\/album\/dreamweavers\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eMother Tongue Records\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/665zjy2PGnTBadtlLpQY1o\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Mother Tongue Records (2) ‎– MT 19007\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: Italy\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 23 Oct 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz, Funk \/ Soul\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Fusion, Broken Beat, Soul-Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Mother Tongue Records","offers":[{"title":"Default Title","offer_id":41456677486750,"sku":"773162v1","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/c20d58fb6a0d7c3b76012025dc3cd3d74f10f32f.jpg?v=1646294325"},{"product_id":"joearmon-jonesturntoclearview","title":"Joe Armon Jones ‎– Turn To Clear View","description":"\u003cp\u003e If Ezra Collective are the break-out stars of the booming contemporary London jazz scene, the band’s keyboardist Joe Armon-Jones is perhaps its cult hero. ‘Turn To Clear View’, his latest album, is lithe and deftly arranged. Over eight tracks, this solo record snakes between funk, dub, bass music and hip-hop – yet always retains the jazz-focused grooves to which its author is inextricably linked. \u003c\/p\u003e\n\u003cp\u003e His piano work is exemplary on songs such as ‘Gnawa Sweet’, ‘Icy Roads (Stacked)’ and ‘(To) Know When You’re Coming’. As light hi-hats, muted kick-drums, saxophone and trumpet solos weave in and out of the arrangement, it becomes clear that Armon-Jones knows the importance of collaboration, ceding space for each instrument to shine. - \u003ca href=\"https:\/\/www.nme.com\/reviews\/joe-armon-jones-turn-to-clear-view-review-2550972\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNME\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/4yws2FxiYwtH0rhSCe651X\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e-clip: initial;\"\u0026gt;Label: \u003ca href=\"https:\/\/www.discogs.com\/label\/62136-Brownswood-Recordings\"\u003eBrownswood Recordings\u003c\/a\u003e ‎– BWOOD0207LP\u003cbr\u003e Format: \u003ca href=\"https:\/\/www.discogs.com\/search\/?format_exact=Vinyl\"\u003eVinyl\u003c\/a\u003e, LP, Album\u003cbr\u003e Country: \u003ca href=\"https:\/\/www.discogs.com\/search\/?country=UK\"\u003eUK\u003c\/a\u003e\u003cbr\u003e Released: \u003ca href=\"https:\/\/www.discogs.com\/search\/?decade=2010\u0026amp;year=2019\"\u003e20 Sep 2019\u003c\/a\u003e\u003cbr\u003e Genre: \u003ca href=\"https:\/\/www.discogs.com\/genre\/jazz\"\u003eJazz\u003c\/a\u003e, \u003ca href=\"https:\/\/www.discogs.com\/genre\/reggae\"\u003eReggae\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Brownswood Recordings","offers":[{"title":"Default Title","offer_id":41456679026846,"sku":"5060180324087","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/4097026ba4df5ee94a0968a2afa0fa9ef6450a51.jpg?v=1646294356"},{"product_id":"damonlocksblackmonumentensemblewherefutureunfolds","title":"Damon Locks Black Monument Ensemble ‎– Where Future Unfolds","description":"\u003cp\u003e\u003cstrong\u003eThe Chicago-based improvisational artist layers politically charged sound collages over drum machines and a children’s choir. The result is uplifting activist jazz for tumultuous times. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe music moves easily between Afrofuturist gospel—typified by the spacy synths of “Which I Believe It Will” and the luminous electro beats of “Which I Believe I Am”—and hip-hop grime. “The Colors That You Bring” sets the choir’s soulful harmonies against wavering strings and murky boom-bap drums, like a civil rights protest movie scored the RZA. Upping the intensity, sampled fragments of archived speeches are embedded in the songs; on “Solar Power” a voice proclaims, “There's no black person on this planet that will disagree with freedom.” These spoken snippets give the album a militant edge, recalling interludes from the classic Public Enemy records, where speeches from social reformers like Frederick Douglass were fused with steely breaks.\u003cbr\u003e\u003cbr\u003eIn the way that music from old eras can be sampled and repurposed into new forms, Locks’s majestic work strives to reach better days by looking back and learning from the past. - \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/damon-locks-where-future-unfolds\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePitchfork\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/6O3cC5QyIOhv8oCkvbNL0d\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: \u003ca href=\"https:\/\/www.discogs.com\/label\/799458-International-Anthem-Recording-Company\"\u003eInternational Anthem Recording Company\u003c\/a\u003e ‎– IARC0025\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: \u003ca href=\"https:\/\/www.discogs.com\/search\/?format_exact=Vinyl\"\u003eVinyl\u003c\/a\u003e, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: \u003ca href=\"https:\/\/www.discogs.com\/search\/?country=US\"\u003eUS\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: \u003ca href=\"https:\/\/www.discogs.com\/search\/?decade=2010\u0026amp;year=2019\"\u003e28 Jun 2019\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: \u003ca href=\"https:\/\/www.discogs.com\/genre\/jazz\"\u003eJazz\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: \u003ca href=\"https:\/\/www.discogs.com\/style\/avant-garde+jazz\"\u003eAvant-garde Jazz\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456702062750,"sku":"10047","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/29966b39ea44bdd93cd2529adb9190009c11799c.jpg?v=1646295004"},{"product_id":"aquilesnavarrotcheserholmesheritageoftheinvisibleii","title":"Aquiles Navarro \u0026 Tcheser Holmes ‎– Heritage Of The Invisible II","description":"\u003cp\u003eIn the Fall of 2019 Navarro and Holmes coalesced around the idea of composing new, expanded duo music, and booked two after-hours sessions at Brooklyn’s S1 Studios. “Each tune has a compositional background to it, but improvisation and the telepathy between us remains the main catalyst,” notes Navarro. From this open map, the duo layered samples and electronic elements from Juno 106 and Moog Grandmother synths over their acoustic improvisations, overdubbed contributions from poets, vocalist and instrumentalist friends, and added field recordings of themselves in conversation. To sculpt the mass of sounds they commissioned ada adhiyatma (aka Madam Data, a Philadelphia-based composer\/electronicist who they’d met through a joint collaboration with Moor Mother) for a final mix. The resulting album – \"Heritage of the Invisible II\" – reveals Navarro and Holmes stepping firmly into the limelight of -progressive music-making.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eThe tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on “Initial Meditation”), vocalist Brigitte Zozula (the bliss of bustling nightlife on “A Night in NY”), Navarro’s mentor and collaborator Carlos Garnett (the banality of economics on “$$$ \/\/\/ billete”) and their own musings on friendship and community (the stoned soul picnic of “Plantains”). Of the album’s de facto anthem “Pueblo,” Navarro says “it’s a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, it’s our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.” Identifying as active listeners and audience members as well, Navarro and Holmes step back on “M.O.N.K (Most Only Never Knew)” to shine a light on the solo improvisation of pianist\/composer Nick Sanders. On the 8-minute duet “NAVARROHOLMES,” the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics – Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eNavarro and Holmes never idle on \"Heritage of the Invisible II,\" choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in one’s heritage, with \"Heritage of the Invisible II\" they share a volume of their story in rich color – a brilliantly imagined testament to generations of memory, creation and existential joy. – \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/heritage-of-the-invisible-ii\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cu\u003eBandcamp\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/6236ZXp1oikjoIgtN4RbYA\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company ‎– IARC0035\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 23 Oct 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Free Jazz, Latin Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456716906654,"sku":"603784912356","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/4a54667fe5fa2435cd515c3ca15cff3b2c1ad692.jpg?v=1646295504"},{"product_id":"svenwundereasternflowers","title":"Sven Wunder – Eastern Flowers","description":"\u003cp\u003eThis is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora through sound. The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments merged with arrangements and melodies that stretches from popular to folk music by portraying tulips, red roses, hibiscus, hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes are these flowers being pictured in a both modern and classic idiom. The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy organs, far-out synthesizers, enchanting Saz and impetuous bass lines. Eastern Flowers sweeps through time and space and points towards the future. It could appeal both psych and prog listeners, folk or jazz aficionados and as well the gourmet hip hop connoisseurs. - \u003ca href=\"https:\/\/svenwunder.bandcamp.com\/album\/eastern-flowers\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/1Z821RvawUQZ5ExkogGKCU\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Piano Piano – PP1001\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: Sweden\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz, Funk \/ Soul, Folk, World, \u0026amp; Country\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Jazz-Funk\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Piano Piano","offers":[{"title":"Default Title","offer_id":41456734666910,"sku":"10328","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/9574ff4316c7ac319c148b85efe98460d745e4a4.jpg?v=1646295780"},{"product_id":"variouskrautjazzfuturismvol2","title":"Various ‎– Kraut Jazz Futurism Vol 2","description":"\u003cp\u003eThe Kraut Jazz Futurism compilation shows what's cookin’ in the new German Jazz scene. Young German bands and a few of the international musicians working in Berlin now. Fresh artists that combine Jazz, Kraut Rock, Afro, Hip Hop and Electronica in a new way.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/theanalogvault.mom\/products\/variouskrautjazzfuturism?_pos=1\u0026amp;_sid=230c41ea0\u0026amp;_ss=r\" target=\"_blank\" rel=\"noopener noreferrer\"\u003efirst part\u003c\/a\u003e of the compilation came out last year and was described by The Wire as \"a re-drawn map of underground Berlin. Refreshingly new, eccentric, badassed and sometimes funny.\"\u003c\/p\u003e\n\u003cp\u003eThis second part goes further. Similar to Gilles Peterson’s We Out Here compilation, where he shows mainly the new hip english Jazz artists, on Kraut Jazz Futurism Kryptox records head honcho Mathias „Kapote“ Modica puts together what’s hot in the new club jazz scene in Germany. And there is a lot cookin’ in Berlin right now. Kraut Jazz Futurism comes out on Kryptox. Sublabel of Gomma \u0026amp; Toy Tonics records. – \u003ca href=\"https:\/\/kryptox-music.bandcamp.com\/album\/mathias-modica-presents-kraut-jazz-futurism-vol-2\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOn Bandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/2KxXLOn2SCQ9CcfzQPAw5C\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Kryptox ‎– KRY015\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eSeries: Kraut Jazz Futurism – Vol 2\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: 2 × Vinyl, LP, Compilation\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: Germany\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 19 Mar 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Electronic, Jazz, Rock\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Krautrock, Psychedelic Rock, Experimental, Jazz-Rock\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Kryptox","offers":[{"title":"Default Title","offer_id":41456738369694,"sku":"880655701510","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a6744747d6800c6dc887e3d88e1187dddf542d33.jpg?v=1646295837"},{"product_id":"julienwilsoncraigfermanischristopherhalehughharvey-stock","title":"Julien Wilson \/ Craig Fermanis \/ Christopher Hale \/ Hugh Harvey - Stock","description":"\u003cp\u003e\u003cspan\u003eBursting in to the new decade as the #1 Independent Album on the AIR charts, STOCK is the debut release from an exciting Melbourne band who have been a regular working unit for close to a decade. Harnessing the interaction developed over hundreds of live gigs, the band have distilled a myriad of influences in to a unified intuitive approach.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing a recent performance in the Blue Mountains, John Shand wrote in the Sydney Morning Herald that listening to STOCK was \"like looking at the blues through a dissonant kaleidoscope; (their) playground is the whole gamut of jazz, from its earliest New Orleans roots to the golden tenor saxophone era of Coleman Hawkins and Ben Webster; from bebop to free jazz and jazz inflected with rock, funk and diverse music from around the globe. This quartet can dig deep anywhere across that gamut.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWorking in close collaboration with producer Lachlan Carrick (Gotye, Lior, CW Stoneking, Mojo Juju), STOCK utilised the studio to capture and expand upon a new electro-acoustic paradigm that has been evolving onstage. The result is a bold offering with a distinctly Australian accent.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe titles of the co-composed tracks reference natural\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ephenomena known as thermal inversions, unusual weather events long associated with witchcraft and sorcery. These collective aural sculptures are echoed in the thought-provoking and evocative painting which graces the cover by poetic Australian environmental artist Dale Cox.\u003cbr\u003e\u003cbr\u003eReleased in 2020, the contemporary marriage of music and art coincided with Australia's tumultuous entry to the new decade in a way which we couldn't have foreseen. The titles 'Exhale' \u0026amp; 'We don't have to' take on new meanings in this context; and 'Too Soon', a meditation on recently departed friends, becomes a prayer for an entire continent (planet) in danger.\u003cbr\u003e\u003cbr\u003e‘I Believe this Belongs to you’ was previously released on the trio album Swailing (2014), which uncannily also featured a painting by Dale Cox on the cover with a similar theme, albeit one less evolved. In this instance, this composition is dedicated to our First Nations brothers and sisters. Those of us with genealogical origins from elsewhere cannot even begin to fathom what this current tragedy means from their perspective. The health of this land is intrinsically tied to the health of its people. And while we choose to ignore one, we damage the other, and ourselves in the process.\u003cbr\u003e\u003cbr\u003eWe believe now, as we have for many years, that the time for a TREATY is NOW.\u003cbr\u003e\u003cbr\u003eDespite the lashings of existential dread, we remain hopeful and optimistic, and as Fenton enthuses of the musical result, “It is a joyful, freedom embracing, open-hearted exploration of sonic possibilities… an album which immediately brings a smile to your lips, exuding as it often does the sounds of a perfect summer (a happier summer than Australia is experiencing at present). IT IS THE SOUND OF NOW and I was delighted to hear in the new decade with this gem.”\u003cbr\u003e\u003cbr\u003eWe hope STOCK takes you on an epic sonic adventure far from the mind-numbing and frustrating realities of the modern world. We hope it provides a small escape hatch for sanity.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ereleased January 1, 2020\u003cbr\u003e\u003cbr\u003eJulien Wilson - soprano and tenor saxophones \/ clarinet \/ effects\u003cbr\u003eCraig Fermanis - electric guitar\u003cbr\u003eChristopher Hale - bass guitar\u003cbr\u003eHugh Harvey - drums and percussion\u003cbr\u003e\u003cbr\u003eRecorded August 9th \u0026amp; 10th 2018 at Headgap Studio, Melbourne\u003cbr\u003eEngineered by Lachlan Carrick\u003cbr\u003eAdditional recording\/editing at Liberty Sounds by Julien Wilson\u003cbr\u003eMixed and mastered at Moose Mastering by Lachlan Carrick\u003cbr\u003eProduced by Julien Wilson and Lachlan Carrick\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/lionsharecords.com\/album\/stock\"\u003e- Bandcamp\u003c\/a\u003e\u003ca href=\"https:\/\/lionsharecords.com\/album\/stock\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Lionsharecords ‎– LSR20207\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Limited Edition, Gold\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: Australia\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lion Share Records","offers":[{"title":"Default Title","offer_id":41456753672350,"sku":"10118","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/143f77a51b56549cf361eeed47ce69eaed69c9ca.jpg?v=1646296301"},{"product_id":"thejaharimassambaunitpardonmyfrench","title":"The Jahari Massamba Unit – Pardon My French","description":"\u003cp\u003eMadlib and Karriem Riggins have officially reunited as Jahari Masamba Unit with the release of their collaborative album, Pardon My French.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe 13-track project hears Riggins on drums and Madlib taking care of the instruments, and marks one of the pair’s sporadically-released albums together. “Among all of the projects Madlib presented as part of his Jazz Universe, this collaboration was of particular note to fans, who continued to wonder for years if anything else might come from the collaboration,” they wrote in a statement. “This album, put together by students of jazz in its myriad and historic corms, and also proponents of jazz’s future, reflects a lifetime of record collecting, musical study, woodshopping, and a reverential respect\u003c\/p\u003e\n\u003cp\u003e for one another’s craft.”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/0Oei3ZeGpEyq73E5PnPmvZ\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Madlib Invazion – MMS 042\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album, Limited Edition\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 27 Nov 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Madlib Invazion ‎","offers":[{"title":"Default Title","offer_id":41456758751390,"sku":"989327004215","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/02496a277a371e075be1b78689bafed3aaf2f2ed.jpg?v=1646296383"},{"product_id":"irreversibleentanglements-irreversibleentanglements","title":"Irreversible Entanglements - Irreversible Entanglements","description":"\u003cp\u003eIrreversible Entanglements are a liberation-oriented free jazz collective formed in early 2015 by saxophonist Keir Neuringer, poet Camae Ayewa (a.k.a. Moor Mother) and bassist Luke Stewart, who came together to perform at a Musicians Against Police Brutality event organized after the slaying of Akai Gurley by the NYPD. Months later the group added trumpeter Aquiles Navarro and drummer Tcheser Holmes (a duo who also performed at the MAPB event) for a single day of recording at Seizure’s Palace in Brooklyn, and the full quintet’s first time playing together was captured for this debut. In four relentless bouts of inspired fire music the instrumentalists explore and elaborate compositional ideas drawn from their deep individual studies of free jazz improvisation, but the tone of each piece is driven decisively by Ayewa’s searing poetic narrations of Black trauma, survival and power. The message is the undeniable essence of the music. Though free jazz with voice is an uncommon approach in the modern day landscape of the genre, the spirit and subject the band channels and explores represent a return to a central tenant of the sound as it was founded – to be a vehicle for Black liberation. As creative and adventurous as any recording of contemporary avant-garde jazz but offering listeners no abstractions to hide behind, this is music that both honors and defies tradition, speaking to the present while insisting on the future.\u003c\/p\u003e\n\u003cp\u003eIrreversible Entanglements is the first collaborative split release by International Anthem \u0026amp; Don Giovanni Records, a partnership aimed to amplify this potent music and pertinent message to the widest possible audience. - \u003cu\u003eBandcamp\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/1WdgivBuyLUfqWYmXZJ6V1\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company ‎– IARC0014, Don Giovanni Records ‎– DG-157\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 26 Sep 2017\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Free Jazz, Poetry\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456763764894,"sku":"66499299137","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/b960fb8e3db98040d3a9702b9150186225926bd9.jpg?v=1646296584"},{"product_id":"str4taaspects","title":"STR4TA ‎– Aspects","description":"\u003cp\u003eBrownswood bring you an exclusive pressing of the debut LP from STR4TA entitled “Aspects” on VINYL ONLY (for now).\u003c\/p\u003e\n\u003cp\u003eA project that grew out of a jam session, STR4TA captures the raw energy of the Brit-Funk scene of the early 80s over eight tracks.\u003c\/p\u003e\n\u003cp\u003eFollowing the limited white-label 12” release of their debut single (also entitled Aspects) that featured a deadly Demus Dub on the b-side, STR4TA now present another exclusive vinyl that reflects the DIY spirit of that scene.\u003c\/p\u003e\n\u003cp\u003eEach vinyl comes with 2 sheets of stickers designed by Robert Gallagher giving you the chance to design your own sleeve. - \u003ca href=\"https:\/\/str4ta.bandcamp.com\/album\/aspects-2\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBrownswood Recordings\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA1. Aspects\u003c\/p\u003e\n\u003cp\u003eA2. Rhythm In Your Mind\u003c\/p\u003e\n\u003cp\u003eA3. Dance Desire\u003c\/p\u003e\n\u003cp\u003eA4. We Like It\u003c\/p\u003e\n\u003cp\u003eB1. Steppers Crusade\u003c\/p\u003e\n\u003cp\u003eB2. After The Rain\u003c\/p\u003e\n\u003cp\u003eB3. Kinshasa FC\u003c\/p\u003e\n\u003cp\u003eB4. Vision 9\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Brownswood Recordings ‎– BWOOD0240LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: UK\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 26 Mar 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz, Funk \/ Soul\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Jazz-Funk, Disco\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Brownswood Recordings","offers":[{"title":"Default Title","offer_id":41456785162398,"sku":"5060180324643","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/54d02299fda5ab9342d0d5fe42565ea68be62f63.jpg?v=1646297177"},{"product_id":"ben-lamar-gay-open-arms-to-open-us","title":"Ben Lamar Gay – Open Arms to Open Us","description":"\u003cp\u003eGrowing up, spending summers in Alabama, one of my favorite chores was feeding the pigs that were on my great Aunt Lola’s land. Sometimes while on the path to the feeding grounds, Aunt Lola and I would stand still and listen together. We would immediately become aware of winds approaching through wavering pines, quail songs and the chatter of distant cousins just up the road. Once she told me that during a certain time of day she can hear her father hammering away in the field near the old house where she grew up. Even though her father was long deceased, she could clearly hear the rhythm and feel his presence.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eThis was my first conscious experience with thermodynamics and its first law that states energy can neither be created nor destroyed, just transferred. The moment, environment, memory, and open listening of my great Aunt allowed a sound from the past to resonate in the present for my 7 year old ears.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eThe awareness of a moment, environment, memory, and open listening are also the makings of a great improviser. With the idea of freedom being a “dangling carrot” for most, my now mature and “forever learning” ears have realized that improvisation is the one freedom that we all have access to. I remember the clarity of my great grandfather’s hammer. The silence in between each strike was what drew Aunt Lola and me in, closer. From that moment on, I’ve carried my curiosity of the world inside my front pocket at all times.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eThis experience is at the root of this bundle of sound, Open Arms to Open Us. – \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/open-arms-to-open-us\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/18QxNaIbnrtE0DnSkJPIel?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company – IARC0051LPI\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP   \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Contemporary Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456797221022,"sku":"789993991853","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/Ben-Lamar-Gay.jpg?v=1646297556"},{"product_id":"variousartist-sunnysideup","title":"Various Artist - Sunny Side Up","description":"\u003cp\u003e A new generation of young, independent musicians, in share-houses and makeshift home studios, in the garages and backyard sheds of Melbourne’s suburban sprawl, have embraced a brash DIY spirit. Taking cues from soul, jazz and club culture, they’ve stamped an uninhibited style on a sun-bleached spool of influences. A snapshot of a movement that’s ready to boil over, the nine acts on ‘Sunny Side Up’ have grown out of a city free from the weight of overbearing musical traditions, where outside influences are freely re-interpreted and mashed together. A celebratory record, it’s energised by a collaborative spirit as much as by the variety of styles which it collides together.\u003c\/p\u003e\n\u003cp\u003eThe record documents a scene poised at saturation point, after steadily expanding since the breakout success Hiatus Kaiyote in 2012, with whom many of the record’s groups share members, friendships or studios. Nurtured by institutions like record shop Northside Records, this is an album which shows splashes of deep house, broken beat, cha-cha, samba, p-funk and soul. Unlike other cities with storied histories in jazz culture, the sound of Melbourne is free of any jazz customs to follow behind, leaving musicians free to incorporate hip hop, house or R\u0026amp;B. Jazz is the mindset, the output is infinitely diverse. – \u003ca href=\"https:\/\/sunnyside-up.bandcamp.com\/album\/sunny-side-up\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOn Bandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/4Ki4U6cyI5UCQ9GNCgJiHl\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Brownswood Recordings ‎– BWOOD0205LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: 2 × Vinyl, LP, Album, Compilation, Gatefold\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: UK\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 18 Jul 2019\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Brownswood Recordings","offers":[{"title":"Default Title","offer_id":41456797352094,"sku":"5060180323875","price":55.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/d072dbf3faa9106f73eb6152c920758dbaa879db.jpg?v=1646297563"},{"product_id":"garybartzalishaheedmuhammadadrianyoungejazzisdead6","title":"Gary Bartz, Ali Shaheed Muhammad \u0026 Adrian Younge – Jazz Is Dead 6","description":"\u003cp\u003eJazz is a conversation—an exchange of ideas between players, as well as between band and audience. Aside from pointing out, via the title’s wry joke, that the genre is very much alive, Ali Shaheed Muhammad and Adrian Younge’s Jazz is Dead series has also revealed that jazz is a vital dialogue spanning generations and genres, and in each entry the duo’s hip-hop, funk, and soul roots engage with venerated players like Roy Ayers, Doug Carn, and Marcos Valle.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eThe most recent entry pairs the duo with reedsman Gary Bartz, and it’s their headiest to date. Bartz has long been in dialogue with pop music forms—all the way back to his classic NTU Troop band of the ‘70s—so the octogenarian keeps step no matter what sound comes his way, grappling and assimilating without breaking a sweat. His horn slots readily into the simmering groove and scratching wah-wah guitar of “Blue Jungles,” while his melodic sing-song solo is every bit as dreamy as the shimmering keys and backing coos on “Day By Day.” No disrespect to all the mighty drummers behind Bartz back in the day, but it’s a real treat to hear Bartz weave in and around Muhammad’s head-knocking drums. The breaks are crunchy and sweet on standouts like “Spiritual Ideation” and “Distant Mode,” with Bartz revisiting the sort of warm, buttery tone that turned him into a jazz-funk star. Streetwise rhythm and smooth melody in a beautiful exchange. – \u003ca href=\"https:\/\/daily.bandcamp.com\/album-of-the-day\/gary-bartz-ali-shaheed-muhammad-adrian-younge-jazz-is-dead-six-review\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/1pIeUZFjmHwIX1G4KbsLyu\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Jazz Is Dead – JID006LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eSeries: Jazz Is Dead – 6\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 1 Apr 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz, Funk \/ Soul\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Jazz Is Dead","offers":[{"title":"Default Title","offer_id":41456798335134,"sku":"4062548020519","price":60.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/99ba39292733c42f99cc7b5318ad7247a1fe86e5.jpg?v=1646297618"},{"product_id":"thegritnessacoustronicsmahakali-themusicofdoncherry","title":"The Gritness Acoustronics – Mahakali - The Music Of Don Cherry","description":"\u003cp\u003eElectro Funk trailblazer Gary Gritness re-imagines Don Cherry’s late 70s and early 80s experiments through a synthed-out prism, reworking the standard jazz trio format into synth, saxophone and analogue drum machine for a one-take live session featuring a guest appearance from Malian Kora maestro Ballake Sissoko. - \u003ca href=\"https:\/\/themusicofproject.bandcamp.com\/album\/mahakali-the-music-of-don-cherry\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/6YYKl2Kb7tBU00HHTeXmv6\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: Komos – KOS 004 LTD\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: France\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 2019\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Komos","offers":[{"title":"Default Title","offer_id":41456869408926,"sku":"10334","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/31a0f27179f951cd96e40656bdb2360de5773c1a.jpg?v=1646298054"},{"product_id":"softpowerbrinkofextinction","title":"Soft Power – Brink Of Extinction","description":"\u003cp\u003e\u003cstrong\u003eModern Jazz \/ Jazz Rock \/ Psychedelia group out of Finland, Helsinki. 2nd re-press of this amazing LP - Highly recommend checking it out!\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere is a Window Of Opportunity called life. A limited period of time, into which we must fit the quotidian activities of everyday life, our dreams, relationships, personal pleasures and self-discovery. Sometimes we contemplate our death, our impact on the world and the traces we’ve left. Biodiversity is one of the most serious issues of our time. We are currently experiencing a period of mass extinction mainly caused by human activity, e.g. overfishing, hunting and the spread of cities and agriculture.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eIt is said that we can’t understand our own death, but is it any easier for us humans to comprehend the scale of death associated with mass extinction, the disappearance of species? Every species is an important part of the ecosystem. Furthermore, with every extinct species, a mode of being is lost. With biodiversity being in such a precarious state, it might be easy to submit to feelings of resignation. Yet, for those who seek beauty, there is still beauty to be found. And there will be, I hope. Likewise, for those who wish to express their love and compassion for the world and for the life inhabiting it, the possibility is still there. The possibility of love having a home in a human heart. – \u003cu\u003eA Message from Soft Power | Bandcamp\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/2CpWN0CHHiibel8t8JMxfM\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: RR GEMS ‎– RRGEMS08\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album, Limited Edition, Repress, 200g\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: Estonia\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: Oct 2020\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz, Rock\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Jazz-Rock, Contemporary Jazz, Psychedelic Rock\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"RR GEMS","offers":[{"title":"Default Title","offer_id":41456870162590,"sku":"733991v1","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/90cd468ee8483952b4a99f66781fcde5181810e4.jpg?v=1646298094"},{"product_id":"jamire-williams-but-only-after-you-have-suffered","title":"Jamire Williams – But Only After You Have Suffered","description":"\u003cp\u003e'But Only After You Have Suffered' is a densely layered and deeply personal new work from multidisciplinary artist, composer, percussionist \u0026amp; producer Jamire Williams.\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eConceived as a spiritual, autobiographical artistic statement, Jamire applies sound collage practice to modern jazz composition, beat production, MC\/vocalist features, and his uniquely impressionistic drumming style – making an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape. A “self-reflective, almost testimonial work” that swiftly cycles across a vast spectrum of styles, it's the culmination of his five-year musical journey to the outer reaches of his own sound. It’s the album he has always wanted to make. To do so he engages his faith and the friends and family that shaped him, working with a host of close collaborators in a free and spontaneous manner. The shared musical, communal, and spiritual sensibility gives the album its sense of unity. “It’s a whole work,” Jamire explains. “It flows seamlessly, and it’s meant to keep playing until you really understand all the messages, prayers, and cries.”\u003c\/p\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp\u003eAcross twelve multi-faceted tracks, he brings together artists from his hometown of Houston (vocalists Corey King, Lisa E. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long journey in sound (Chassol, Svet, Kenneth Whalum). - \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/but-only-after-you-have-suffered\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBandcamp\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/0JmTYh8Kw1TJ1tqONvys8m?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: International Anthem Recording Company – IARC0046\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: US\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 3 Dec 2021\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Electronic, Hip Hop, Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Experimental\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456915447966,"sku":"789993991693","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/But-Only.jpg?v=1646299270"},{"product_id":"irreversibleentanglementswhosentyou","title":"Irreversible Entanglements ‎– Who Sent You?","description":"\u003cp\u003e\u003cstrong\u003eLed by the poet and musician Moor Mother, the jazz ensemble evokes our American topography, both physically and psychologically, by capturing what’s in the news and what’s underneath that surface.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePerhaps the group’s most remarkable attribute is that while anger is ever-present, the fury is tempered, the music focused and controlled. As Ayewa’s inquisitive gaze turns inward on the sinewy Latin-tinged groove of “No Mas,” she remains resolved “to love ourselves fully.” Built from a walking bassline and clanging hand percussion, “Bread Out of Stone” never rises above a simmer to convey the message of resilience in the face of oppression. The shrieking, flailing properties of free jazz are often interpreted as unbridled anger, rising as it did during the heights of the Civil Rights era and inner-city unrest. And while Irreversible Entanglements draws on that tradition, they aren’t merely mimicking an older version of jazz. They are making it resonate now, emphasizing it as a music of ritual, much like Ayewa’s other loves, like gospel and blues. It conveys all of the urgency of her raw, earlier work now across a greater vista, untethered by time yet wholly in the present. -  \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/irreversible-entanglements-who-sent-you\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePitchfork \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"300\" height=\"380\" src=\"https:\/\/open.spotify.com\/embed\/album\/64altPXDNN3HLiKrQ7Nmil\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e-clip: initial;\"\u0026gt;Label: \u003ca href=\"https:\/\/www.discogs.com\/label\/799458-International-Anthem-Recording-Company\"\u003eInternational Anthem Recording Company\u003c\/a\u003e ‎– IARC0031, \u003ca href=\"https:\/\/www.discogs.com\/label\/123626-Don-Giovanni-Records\"\u003eDon Giovanni Records\u003c\/a\u003e ‎– DG-202\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e-clip: initial;\"\u0026gt;Format: \u003ca href=\"https:\/\/www.discogs.com\/search\/?format_exact=Vinyl\"\u003eVinyl\u003c\/a\u003e, LP\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e-clip: initial;\"\u0026gt;Country: \u003ca href=\"https:\/\/www.discogs.com\/search\/?country=US\"\u003eUS\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e-clip: initial;\"\u0026gt;Released: \u003ca href=\"https:\/\/www.discogs.com\/search\/?decade=2020\u0026amp;year=2020\"\u003e20 Mar 2020\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e-clip: initial;\"\u0026gt;Genre: \u003ca href=\"https:\/\/www.discogs.com\/genre\/jazz\"\u003eJazz\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41456932323486,"sku":"4015698322811","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/cfc4fa37eebb5ad7cff1b4704391425e2f0a5015.jpg?v=1646299616"},{"product_id":"nick-walters-singularity","title":"Nick Walters – Singularity","description":"\u003cp\u003eNick Walters returns to his D.O.T. Records imprint with a suite of forward thinking, cosmic, electronic-jazz experiments, inspired by NASA \u0026amp; the concept of gravitational singularity. Each track on “Singularity”, his first home studio produced album, is built around an audio sample recorded by NASA in space, then expertly transported back to earth by Walters via some magical trumpet and synth work on his newly purchased Juno-106. The album features key contributions from Ruby Rushton drummer Tim Carnegie, 22a Music’s Tenderlonious on flute and some sublime guitar work from Thibaut Remy.\u003c\/p\u003e\n\u003cp\u003e---\u003c\/p\u003e\n\u003cp\u003e'Singularity' is an album inspired by the concept of the gravitational singularity, thought to be found at the centre of black holes, and also thought to be the initial state of the universe at the beginning of the Big Bang. These are the points where current scientific understanding breaks down, where general relativity meets quantum mechanics and current theories are unable to comprehend how density or the curvature of spacetime can reach infinite levels. The album is dedicated to Professor Roger Penrose, the scientist who alongside Stephen Hawking did so much to develop theoretical understanding of singularities and black holes, and rightful recipient of the Nobel Prize in Physics in 2020. – \u003cu\u003eBandcamp\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003ciframe width=\"300\" height=\"150\" style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=340401444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/nick-walters.bandcamp.com\/album\/singularity\"\u003eSingularity by Nick Walters\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eLabel: D.O.T. – DOT 002\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFormat: Vinyl, LP, Limited Edition, Numbered\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eCountry: UK\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eReleased: 4 Mar 2022\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eGenre: Jazz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eStyle: Contemporary Jazz, Fusion\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"D.O.T","offers":[{"title":"Default Title","offer_id":41511736213662,"sku":"891116v1","price":39.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/Nick-Walters.jpg?v=1647933072"},{"product_id":"melissa-aldana-12-stars","title":"Melissa Aldana – 12 Stars","description":"\u003cp\u003eThe Brooklyn-based tenor player from Santiago, Chile has garnered international recognition for her visionary work as a band leader, as well as her deeply meditative interpretation of language and vocabulary.  - \u003ca href=\"https:\/\/store.bluenote.com\/collections\/vinyl\/products\/melissa-aldana-12-stars\" target=\"_blank\" rel=\"noopener\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBlue Note\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMany musicians have chosen their Blue Note moment to reveal themselves as the artist they are or intend to be. So it is not surprising that a young, gifted artist such as Grammy nominee Melissa Aldana, riding a sure, ascendant arc both creatively and professionally, goes big on her Blue Note debut.\u003c\/p\u003e\n\u003cp\u003eFrom the start, \u003cem\u003e12 Stars\u003c\/em\u003e is the exact antithesis of the parlance of isolation. It is a confab of equals. Though in her notes the saxophonist remarks that \"Falling\" is an active reflection of her life going to pieces, as the virus spread and she and her husband separated, the mood of the piece and its fervent interpretation by producer, co-writer \u0026amp; guitarist Lage Lund, ever enthused pianist Sullivan Fortner, drummer Kush Abadey—whose Jack DeJohnette reflexive impressionism gives \u003cem\u003e12 Stars\u003c\/em\u003e its enduring, quiet power —and longtime consigliere bassist Pablo Menares prove the piece to be just the opposite. From Menares' firm assertions that set the piece into motion, \"Falling\" is a conference of integrity over adversity and serves as a most fitting prelude to all that follows.\u003c\/p\u003e\n\u003cp\u003eAldana is an emotionally arresting player who balances vulnerability and victory; her horn at once looses whispery confessions and purposeful statements of strength and resolve. An open conversation where all have equal pull and sway, \"The Bluest Eye\" (named after a novel by Toni Morrison) exhibits an understated undertow which evolves more by feel than by any given chart, holding the quintet steady for them each to tell their story (as well as that of Morrison's antagonist) of witnessing, with open heart and mind, the interior light which overcome all darkness. \"Emilia\" is a dream story told by Aldana through diaphanous clouds of Lund's echoey guitar clusters and Fortner's clouds of Rhodes; a lullaby for a dream child.\u003c\/p\u003e\n\u003cp\u003eMuch like her bold, declarative \"Frida\" from Artemis (Blue Note, 2020), \"Intuition\" finds Aldana centerstage, finding all she needs within herself and lighting the fuse on a series of wide ranging, confident lyrical statements. Thoughtful of her conversant circle of peers, the forum is open, making jaunty, full-bodied tracks like \"The Fool\" and \"Los Ojos de Chile\" a friendly, familial parlay. Closing on the gravity-defying title composition, Fortner's emphatic touch on the Rhodes provides Aldana's sincere, reflective tone a nest from which to fly into new regions she and we will experience as her vision comes into fuller focus. Let the top discs of 2022 begin here. - \u003ca href=\"https:\/\/www.allaboutjazz.com\/12-steps-melissa-aldana-blue-note-records\" target=\"_blank\" rel=\"noopener\"\u003eAll About Jazz\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMelissa Aldana's nuanced and superbly executed 2022 album \u003cem\u003e12 Stars\u003c\/em\u003e feels like a new beginning for the tenor saxophonist. Though not her first album, 12 Stars is the Chilean-born improviser's debut for the storied Blue Note label. The 2013 Thelonious Monk International Jazz Saxophone Competition winner, Aldana has spent much of the last five years earning accolades, including picking up her first Grammy nomination for her 2019 album Visions. Named after the 12 stars pictured on the crown of the tarot card figure The Empress, \u003cem\u003e12 Stars\u003c\/em\u003e builds upon that success, showcasing Aldana's growing maturity as both a soloist and bandleader.\u003c\/p\u003e\n\u003cp\u003eHelping Aldana achieve this balance is Norwegian guitarist Lage Lund, who produced the album and collaborated with her on the songs and arrangements. Joining them is pianist Sullivan Fortner (who has distinguished himself as a member of vocalist Cecile McLorin Salvant's Grammy-winning albums), drummer Kush Abadey, and longtime Aldana bandmate bassist Pablo Menares. Aldana and Lund are a magical team, often playing melodies in tandem.\u003c\/p\u003e\n\u003cp\u003eOn the opening \"Falling,\" Lund bathes Aldana in sparkling, otherworldly drones, her warm shooting-star sax refracting off the hull of his alien spaceship guitar. More evocative feelings arise throughout \u003cem\u003e12 Stars\u003c\/em\u003e, as on \"Emilia,\" in which Aldana dreams of her future daughter against Fortner's warm Rhodes keyboard bed. Equally hypnotic is \"The Bluest Eye,\" a rippling, modal-sounding piece inspired by the Toni Morrison novel.\u003c\/p\u003e\n\u003cp\u003eThere's a warm, cocoon-like quality to Aldana's compositions as she envelops herself and her audience in shimmering tonal cascades. She's also mutable, with a tone that's water pure one minute before rising to a high-pitched squelch the next, à la Wayne Shorter, as on the dreamy, tango-inflected \"Intuition.\" Even on the vibrantly propulsive \"Los Ojos de Chile,\" an anthem inspired by the 2019 political turmoil and protests in Chile, Aldana plays with an easy warmth that belies just how athletic and harmonically adept her improvisational skills are. With 12 Stars, Aldana puts all of her colorful sonic and emotional textures on display. - Matt Collar \/\/ \u003ca href=\"https:\/\/www.allmusic.com\/album\/12-stars-mw0003652079\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3DFIvcm119lRoa5NxyiBDC?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" height=\"131\" style=\"width: 82.5537%;\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 34.8398%;\"\u003e\n\u003ccol style=\"width: 65.1614%;\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLabel:\u003c\/td\u003e\n\u003ctd\u003eBlue Note\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eVinyl, LP, Album, Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReleased:\u003c\/td\u003e\n\u003ctd\u003e2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGenre:\u003c\/td\u003e\n\u003ctd\u003eJazz, Contemporary Jazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blue Note Records","offers":[{"title":"Default Title","offer_id":41686417080478,"sku":"602438827817","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/12-Stars.jpg?v=1652787198"},{"product_id":"joel-ross-the-parable-of-the-poet","title":"Joel Ross – The Parable Of The Poet","description":"\u003cp\u003eAcclaimed vibraphonist and composer Joel Ross returns with his 3rd Blue Note album, The Parable of the Poet, an expansive album-length suite comprised of 7 evocative movements.\u003c\/p\u003e\n\u003cp\u003eThe suite is performed by a dynamic 8-piece ensemble with Ross joined by Immanuel Wilkins on alto saxophone, Maria Grand on tenor saxophone, Marquis Hill on trumpet, Kalia Vandever on trombone, Sean Mason on piano, Rick Rosato on bass \u0026amp; Craig Weinrib on drums. - \u003ca href=\"https:\/\/store.bluenote.com\/products\/joel-ross-the-parable-of-the-poet\"\u003eBlue Note\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2rQub6XmlQJb8bGYHhjBsD?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 100.053%;\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 26.0968%;\"\u003e\n\u003ccol style=\"width: 73.8478%;\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLabel:\u003c\/td\u003e\n\u003ctd\u003eBlue Note – 3891819\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003e2 x Vinyl, LP, Album, Gatefold\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry:\u003c\/td\u003e\n\u003ctd\u003eEurope\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReleased:\u003c\/td\u003e\n\u003ctd\u003e15 Apr 2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGenre:\u003c\/td\u003e\n\u003ctd\u003eJazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle:\u003c\/td\u003e\n\u003ctd\u003ePost Bop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":41742388232350,"sku":"602438918195","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/R-23301974-1653214688-4680.jpg?v=1654761553"},{"product_id":"anteloper-pink-dolphins","title":"Anteloper – Pink Dolphins","description":"\u003cp\u003e\u003cspan\u003ejaimie branch and Jason Nazary are Anteloper. When prompted about their name, branch comes back rhyming: “An Anteloper, is an antelope, interloper,” adding in a jovial manner, “an antelope walks up to a party, but you know, people don’t want him around.” Turns out, she had the name before the band was formed, and once the duo started rehearsing, it was apparent that THIS was what an Anteloper sounds like.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnother creature pops up in the title of the duo’s new album: Pink Dolphins. branch explains that the name is in part a nod to her Colombian heritage (from her Mother). “There’s these amazing pink river dolphins that live in the Amazon - they can swim in salt water, they can chill in fresh water, or they can rock in mixed up brackish waters. They are uniquely ‘aquadelic’ in that way\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e. Aquadelic and super endangered.” In many ways branch and Nazary are like those dolphins – adaptable to varied terrain and moving in many directions through sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eWhat makes this album special is the way that this duo bravely abandons the known as they leap forward into a path less-travelled. There’s no pre-made template here, only sound. Only a starting point, the destruction of that point, and the telepathic creation of a new way out. The electronics incorporated by both players are navigational devices, transportation sound-crafts. The resulting output is freewheeling, other-worldly, improvisational music, inspired by the unknown and at home in the astro-world. But the driving force behind Anteloper’s psychedelic space music is not escapism, rather a complete immersion in the hyperreality of the present. Their music is made for destroying concepts of past and future, for confronting and embracing the moment, for the betterment of the here and now. It's music that is as rare and bewilderingly beautiful as the aquadelic pink dolphins surfing through the Amazon River.\u003c\/span\u003e\u003cspan\u003e - \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/pink-dolphins\"\u003eOn Bandcamp\u003c\/a\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/58rs9tGJvKpCRnuBewxs8w?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 1px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLabel:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003cspan style=\"color: #000000;\"\u003eInternational Anthem Recording Company – IARC0056\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormat:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e\u003cspan style=\"color: #000000;\"\u003eVinyl, LP, Album, Limited Edition, Limousine Black\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCountry:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003cspan style=\"color: #000000;\"\u003eUS\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003ctime datetime=\"2022-06-17\"\u003e\u003cspan style=\"color: #000000;\"\u003e17 Jun 2022\u003c\/span\u003e\u003c\/time\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGenre:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003cspan style=\"color: #000000;\"\u003eElectronic, Jazz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStyle:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd\u003e\u003cspan style=\"color: #000000;\"\u003eAvant-garde Jazz, Abstract\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41797762711710,"sku":"789993992416","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a3941937252_16.jpg?v=1655974076"},{"product_id":"jean-carne-adrian-younge-ali-shaheed-muhammad-jazz-is-dead-12","title":"Jean Carne \/ Adrian Younge \u0026 Ali Shaheed Muhammad – Jazz Is Dead 12","description":"\u003cp\u003e\u003cspan\u003eFor decades, the voice of Jean Carne has been a crucial part of the American musical landscape, tying together generations of Jazz, Gospel, and R\u0026amp;B artists. As a solo artist, backing vocalist, and vocal coach, she has contributed to and collaborated with the likes of Norman Connors, Doug Carn, Dexter Wansel, Phyllis Hyman, Lonnie Liston Smith, Michael Jackson, and many more. At 74, she shows no signs of slowing down.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4LnwmwZBGpxR7pY55udol1?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 100%;\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 49.9331%;\"\u003e\n\u003ccol style=\"width: 49.9331%;\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLabel:\u003c\/td\u003e\n\u003ctd\u003eJazz Is Dead - 12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003eJazz Is Dead - 12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eVinyl, 12\", 45 RPM, Album, Limited Edition, Brown Transparent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry:\u003c\/td\u003e\n\u003ctd\u003eUS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReleased:\u003c\/td\u003e\n\u003ctd\u003e1 July 2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGenre:\u003c\/td\u003e\n\u003ctd\u003eJazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle:\u003c\/td\u003e\n\u003ctd\u003eSoul Jazz, Free Jazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Jazz Is Dead","offers":[{"title":"Default Title","offer_id":41961796927646,"sku":"4062548040500","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/jEAN-cARNE.jpg?v=1660633856"},{"product_id":"carlos-nino-friends-extra-presence","title":"Carlos Niño \u0026 Friends – Extra Presence","description":"\u003cp\u003eEXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\u003c\/p\u003e\n\u003cp\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003c\/p\u003e\n\u003cp\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.” - \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/extra-presence\" target=\"_blank\" rel=\"noopener\"\u003eInternational Anthem\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/21mdtatIUbfk3e9khF4bbG?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; border-width: 1px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLabel:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eInternational Anthem Recording Company\u003cspan\u003e \u003c\/span\u003e– IARC 0047\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormat:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e2 x\u003cspan\u003e \u003c\/span\u003eVinyl,\u003cspan\u003e \u003c\/span\u003eLP, Album\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCountry:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \u0026amp; Europe\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003ctime datetime=\"2022-07-22\"\u003e\u003cspan style=\"color: #000000;\"\u003e22 Jul 2022\u003c\/span\u003e\u003c\/time\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGenre:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eJazz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStyle:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFusion,\u003cspan\u003e \u003c\/span\u003eContemporary Jazz,\u003cspan\u003e \u003c\/span\u003eSpace-Age\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":41963769888926,"sku":"789993992331","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/R-23978885-1658921988-5279.jpg?v=1660721345"},{"product_id":"charles-stepney-step-on-step","title":"Charles Stepney – Step On Step","description":"\u003cp\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003cbr\u003e\u003cbr\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”  - \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/step-on-step\" target=\"_blank\" rel=\"noopener\"\u003eInternational Anthem\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0OmjpZoxCp2vF5C3B8VJMu?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 100.066%; height: 134.318px; border-width: 1px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 44.7727px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 9.79544%; height: 44.7727px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLabel:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 85.8963%; height: 44.7727px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eInternational Anthem Recording Company\u003cspan\u003e \u003c\/span\u003e– IRAC 0055,\u003cspan\u003e \u003c\/span\u003eThe Charles Stepney Masters\u003cspan\u003e \u003c\/span\u003e– IRAC0055\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3864px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 9.79544%; height: 22.3864px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormat:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 85.8963%; height: 22.3864px; border-width: 1px;\"\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e2 x\u003cspan\u003e \u003c\/span\u003eVinyl,\u003cspan\u003e \u003c\/span\u003eLP, Album, Stereo,\u003cspan\u003e \u003c\/span\u003e140 Gr\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3864px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 9.79544%; height: 22.3864px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 85.8963%; height: 22.3864px; border-width: 1px;\"\u003e\u003ctime datetime=\"2022-09-09\"\u003e\u003cspan style=\"color: #000000;\"\u003e9 Sept 2022\u003c\/span\u003e\u003c\/time\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3864px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 9.79544%; height: 22.3864px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGenre:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 85.8963%; height: 22.3864px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eElectronic,\u003cspan\u003e \u003c\/span\u003eJazz,\u003cspan\u003e \u003c\/span\u003eFunk \/ Soul\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3864px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 9.79544%; height: 22.3864px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStyle:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 85.8963%; height: 22.3864px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSoul-Jazz,\u003cspan\u003e \u003c\/span\u003eFunk\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":42069619703966,"sku":"789993992553","price":50.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a2300896001_10.jpg?v=1663667775"},{"product_id":"tom-skinner-voices-of-bishara","title":"Tom Skinner – Voices Of Bishara","description":"\u003cp\u003eVoices of Bishara, the new album from drummer, composer, and producer Tom Skinner (The Smile, Sons of Kemet), is out now via Brownswood \/ International Anthem \/ Nonesuch. The first recording under Skinner’s own name is a reference to an album he listened to repeatedly during the COVID-19 lockdown: cellist Abdul Wadud’s 1978 solo album By Myself, which was privately pressed on Wadud’s label, Bisharra. The common Arabic name has the intention or meaning of “good news” or “the bringer of good news.” \u003c\/p\u003e\n\u003cp\u003eVoices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. These regular sessions had a simple format: play a classic album in full through the venue’s audiophile system and then have a live ensemble improvise a response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album, Life Time, and the music conjured that night inspired Skinner to write an album’s worth of new music.\u003c\/p\u003e\n\u003cp\u003eSkinner recorded an album of that music with a cellist, bass, and two saxophonists subsequently putting it aside, occasionally bringing it out for some attention in between his many other creative projects. Gradually, the record began to take shape as he embraced the studio recordings and accentuated their idiosyncrasies. - \u003ca href=\"https:\/\/www.nonesuch.com\/journal\/tom-skinner-voices-bishara-out-now-2022-11-04\" target=\"_blank\" rel=\"noopener\"\u003eNonesuch\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4zvz6kPV86h2VkQcKdsGMM?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 51.2987%; height: 156.734px; border-width: 1px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 44.7812px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 16.6891%; height: 44.7812px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLabel:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 76.1471%; height: 44.7812px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eBrownswood Recordings\u003cspan\u003e \u003c\/span\u003e– BWOOD0257LP\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 16.6891%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormat:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 76.1471%; height: 22.3906px; border-width: 1px;\"\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e\u003cspan style=\"color: #000000;\"\u003eVinyl,\u003cspan\u003e \u003c\/span\u003eLP, Album\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 16.6891%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCountry:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 76.1471%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eUK\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 16.6891%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 76.1471%; height: 22.3906px; border-width: 1px;\"\u003e\u003ctime datetime=\"2022-11-04\"\u003e\u003cspan style=\"color: #000000;\"\u003e4 Nov 2022\u003c\/span\u003e\u003c\/time\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 16.6891%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGenre:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 76.1471%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eJazz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003cth scope=\"row\" style=\"width: 16.6891%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStyle:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"width: 76.1471%; height: 22.3906px; border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eContemporary Jazz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Brownswood Recordings","offers":[{"title":"Default Title","offer_id":42256507699358,"sku":"5060180325206","price":50.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a0229584843_10.jpg?v=1669020503"},{"product_id":"dezron-douglas-atalaya","title":"Dezron Douglas – Atalaya","description":"\u003cp\u003eATALAYA is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative process of Music.”\u003cbr\u003e\u003cbr\u003eFollowers of contemporary jazz might recognize Dezron for his bass work behind Pharoah Sanders, Louis Hayes, or Ravi Coltrane. Others might know him as the newest full-time member of the Trey Anastasio Band. Steady International Anthem listeners might remember him from the New York side of Makaya McCraven's Universal Beings. More recently we presented Force Majeure, Dezron’s sublime duo record with harpist Brandee Younger, which compiled the best of livestream performances from their Harlem apartment during the original covid lockdown. That album, which came out in December of 2020, reflected the speed and feeling of the moment while somehow simultaneously distracting from the harsh reality of it. It also captured a very vulnerable, intimate, and real impression of Dezron on double bass, sharing his power and truth without abandon.\u003cbr\u003e\u003cbr\u003eATALAYA, similarly, wasn’t processed in the lab, but rather, captured in the room. The realness factor is once again forefront in the sound; but the difference is in the energy and ambition of the music, which reaches for the stratosphere. Again, let’s defer to Dezron here: “Welcome to the Black Lion rocket ship.” - \u003cspan style=\"text-decoration: underline;\"\u003eBandcamp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0r2hmzf2EaR81KRTejRGQ3?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 100%;\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 50%;\"\u003e\n\u003ccol style=\"width: 50.1266%;\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"width: 17.9167%; height: 44.8px; text-align: left;\"\u003eLabel:\u003c\/th\u003e\n\u003ctd style=\"width: 82.0833%; height: 44.8px;\"\u003eInternational Anthem Recording Company – IARC0058\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"width: 17.9167%; height: 22.4px; text-align: left;\"\u003eFormat:\u003c\/th\u003e\n\u003ctd style=\"width: 82.0833%; height: 22.4px;\"\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e\n\u003cspan\u003eVinyl, \u003c\/span\u003eLP, Album\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"width: 17.9167%; height: 22.4px; text-align: left;\"\u003eCountry:\u003c\/th\u003e\n\u003ctd style=\"width: 82.0833%; height: 22.4px;\"\u003eUS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"width: 17.9167%; height: 22.4px; text-align: left;\"\u003eReleased:\u003c\/th\u003e\n\u003ctd style=\"width: 82.0833%; height: 22.4px;\"\u003e18th Nov 2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"width: 17.9167%; height: 22.4px; text-align: left;\"\u003eGenre:\u003c\/th\u003e\n\u003ctd style=\"width: 82.0833%; height: 22.4px;\"\u003eJazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"width: 17.9167%; height: 22.4px; text-align: left;\"\u003eStyle:\u003c\/th\u003e\n\u003ctd style=\"width: 82.0833%; height: 22.4px;\"\u003e\n\u003ca href=\"https:\/\/www.discogs.com\/style\/contemporary%20jazz\" hreflang=\"en\" class=\"link_1ctor\"\u003e\u003c\/a\u003eContemporary Jazz, Free Improvisation\u003ca href=\"https:\/\/www.discogs.com\/style\/free%20improvisation\" hreflang=\"en\" class=\"link_1ctor\"\u003e\u003c\/a\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":42290569543838,"sku":"11243","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/Dezron-Douglas.jpg?v=1670489532"},{"product_id":"domi-jd-beck-not-tight","title":"Domi \u0026 JD Beck – Not Tight","description":"\u003cp\u003e\u003cstrong\u003e— The Analog Vault \/\/ Essential Listening —\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe New York Times hailed them as simultaneously \"freakishly complex and virtuosic\" and \"relentlessly melodic\", with an album that exemplifies their trailblazing take on jazz. After garnering a massive following online for their virtuoso covers (of Thundercat, Flying Lotus and MF Doom, among others) - the prodigious duo of French keyboardist DOMi and American drummer JD Beck were signed to APESHIT, Anderson .Paak’s imprint on storied jazz label Blue Note. This is where the pair would release their stunning 2022 album \u003cem\u003eNOT TiGHT\u003c\/em\u003e, which showcases not just DOMi \u0026amp; JD Beck’s nimble instrumental prowess (blistering keyboard solos and unorthodox breakbeat grooves abound), but their compositional acuity as well.\u003c\/p\u003e\n\u003cp\u003eBlurring the lines between jazz, R\u0026amp;B and hip-hop, \u003cem\u003eNOT TiGHT\u003c\/em\u003e dexterously traverses tempos and genre boundaries. Featuring heavyweights like Thundercat, Kurt Rosenwinkel, Mac DeMarco, Snoop Dogg, Busta Rhymes and their own label boss - this album is a must-listen for newbies and old jazz heads alike. - \u003ca href=\"https:\/\/theanalogvault.mom\/\" target=\"_blank\" rel=\"noopener\"\u003eThe Analog Vault\u003c\/a\u003e\u003cbr\u003e—\u003c\/p\u003e\n\u003cp\u003eDOMi \u0026amp; JD BECK are an instrumental keyboard and drum duo known for their hyperactive, future-shock blend of progressive jazz, hip-hop, and R\u0026amp;B. After signing to Anderson .Paak's Apeshit label, they topped Billboard's Contemporary Jazz chart with their debut, \u003cem\u003eNOT TiGHT\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFormed in 2018, the duo features keyboardist DOMi Louna and drummer JD Beck. Born Domitille Degalle in Metz, France, DOMi started playing piano and drums at age three and was already a gifted performer by her teens. Following a brief period at the Conservatoire de Paris, she quickly relocated to Berklee College of Music in Boston where she studied jazz on a full scholarship. She began posting videos online and soon caught the attention of hip-hop luminaries Anderson .Paak, Louis Cole, and Thundercat who brought her into their creative circle.\u003c\/p\u003e\n\u003cp\u003eIt was while attending a NAMM (the National Association of Music Merchants) trade show in 2018 that she met drummer Beck. A Dallas native, Beck started on drums at age eight and was mentored early on by other Dallas percussion stars, including Snarky Puppy's Robert \"Sput\" Searight and Stanley Clarke Band regular Mike Mitchell. He also gigged, working in producer Jah-Born's band, where he was exposed to a cross-pollinated blend of hip-hop, electronic, and DJ grooves. The pair hit it off and began jamming, combining DOMi's '70s jazz fusion-influenced style with Beck's kinetic blend of IDM, funk, and prog. Gigs followed, as did performances alongside Thundercat, Herbie Hancock, Ariana Grande, and others. They also continued their work with .Paak, signing to his Apeshit label and co-writing the song \"Skate\" off the rapper's Grammy-winning 2021 collaboration with Bruno Mars as Silk Sonic. In 2022, DOMi \u0026amp; JD BECK released \"SMiLE\" as the first single off their debut full-length, NOT TiGHT. Along with .Paak, the album also featured guest appearances by Herbie Hancock, Thundercat, Mac DeMarco, Kurt Rosenwinkel, and others. It topped Billboard's Contemporary Jazz chart and picked up a Grammy nomination for Best Contemporary Instrumental Album. — (via \u003ca href=\"https:\/\/www.allmusic.com\/artist\/domi-jd-beck-mn0004225296\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ciframe width=\"100%\" height=\"380\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6cXQ0dxd2pWCTFhZ8RIg2j?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e↓\u003cbr\u003eLabel: Blue Note, Apeshit\u003cbr\u003eFormat: Vinyl, LP, Album, 180g\u003cbr\u003eReleased:2022\u003cbr\u003eGenre: Jazz, Hip Hop\u003cbr\u003eStyle: Fusion, Free Jazz, Jazzy Hip-Hop, Modern\/Future Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: TAV Essential Listening\u003cbr\u003eFile under: Jazz \/\/ Modern\/Future Jazz\u003cbr\u003e⦿\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eAbout Domi \u0026amp; JD Beck:\u003cbr\u003eTo date, if you wanted to learn about DOMi \u0026amp; JD BECK—the internet’s most hyped jazz duo—you had to visit their website, click a rat playing saxophone, and read a story about a 12-year-old physicist (DOMi Louna) and a 6-year-old sheep investigator (JD Beck). Let’s fix that. “My philosophy of life is don’t take shit too seriously,” says DOMi Louna, born Domitille Degalle. And that’s fair. But the vibrant world she and her collaborator have given us demands exploration.\u003c\/p\u003e\n\u003cp\u003eTheir long-awaited debut album—which will be released by Anderson .Paak’s new label APESHIT in partnership with the legendary jazz label Blue Note Records—is an attempt to bottle their goofy, very virtuosic magic. Their music finds both humor and greatness in harmonic complexity and rhythmic shiftiness, abruptly adopting and ditching tempos, toying with time signatures, and sneaking extra beats into bridges.\u003c\/p\u003e\n\u003cp\u003eThe collaboration began under silly circumstances. DOMi Louna was a teen protegé at Berklee by way of the Paris Conservatory; JD, three years her junior, had gigged since grade school around his hometown, Dallas—first in producer Jah-Born’s band where he duetted with MPC beatmakers and DJs spinning Dilla. In 2018, they were both invited to join an ensemble performing at the National Association of Music Merchants (NAMM) trade show and played in a room full of blaring instrumental demos, surrounded by a chaotic din. They bonded over gauche keyboard effects and mom jokes, and a more audible jam that night sparked interest in working more. Along the ride, DOMi \u0026amp; JD BECK have sat in with Herbie Hancock and backed Thundercat, Ariana Grande, Mac DeMarco, Eric André, and more. They also co-wrote “Skate” on .Paak’s GRAMMY-winning album with Bruno Mars as Silk Sonic. — (via \u003ca href=\"https:\/\/www.bluenote.com\/artist\/domi-jd-beck\/\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ANPbOxaRIO0?si=8qwaery6qmELDCKt\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Note Records \/ Apeshit","offers":[{"title":"Default Title","offer_id":42356707426462,"sku":"602445908370","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/JD-BECK.jpg?v=1674112434"},{"product_id":"irreversible-entanglements-open-the-gates","title":"Irreversible Entanglements - Open the Gates","description":"\u003cp\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/p\u003e\n\u003cp\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!” we shouted, blessed be – we need it now!\u003c\/p\u003e\n\u003cp\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes.  - \u003cspan style=\"text-decoration: underline;\"\u003eBandcamp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/04prhtrBuWTOWit3vnweII?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 100%;\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 49.9368%;\"\u003e\n\u003ccol style=\"width: 49.9368%;\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLabel:\u003c\/td\u003e\n\u003ctd\u003eInternational Anthem Recording Company – IARC 0049, Don Giovanni Records – DG-252\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003e2x Vinyl, LP, Album\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCountry:\u003c\/td\u003e\n\u003ctd\u003eWorldwide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReleased:\u003c\/td\u003e\n\u003ctd\u003e12 Nov 2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGenre:\u003c\/td\u003e\n\u003ctd\u003eElectronic, Jazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle:\u003c\/td\u003e\n\u003ctd\u003eAvant-garde Jazz, Experimental, Free Jazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":42401470840990,"sku":"789993991549","price":60.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/Irreversible-Entanglements.jpg?v=1675319436"},{"product_id":"angel-bat-dawid-requiem-for-jazz","title":"Angel Bat Dawid - Requiem For Jazz","description":"\u003cdiv id=\"customHeaderWrapper\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" data-tooltips='{\"tooltips\":[],\"dash_seen\":null}'\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eComposer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.\u003cbr\u003e\u003cbr\u003eItself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African American experience - as one of freedom and restraint, of joy and suffering - that manifests in the triumph of spirit over the crushing prejudice of daily life.\u003cbr\u003e\u003cbr\u003eCutting together archive reels from Black neighborhoods in Chicago with live performance footage from Sun Ra and his Arkestra among others, the film remains a radical and prescient evocation of Black pride and its roots in the history of jazz, from spirituals to blues and beyond. - \u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/requiem-for-jazz\" target=\"_blank\" rel=\"noopener\"\u003eBandcamp\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1pjnqysk4VORAmOyLEvYaN?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003ctable border=\"1\" style=\"border-collapse: collapse; width: 100%; height: 134.344px;\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 50%;\"\u003e\n\u003ccol style=\"width: 50%;\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eLabel\u003c\/td\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eIntergalactic Mantra \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eFormat\u003c\/td\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003e2 x Vinyl, LP, Album\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eCountry \u003c\/td\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eWorldwide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eReleased \u003c\/td\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003e24 Mar 2023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eGenre \u003c\/td\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eJazz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.3906px;\"\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eStyle \u003c\/td\u003e\n\u003ctd style=\"height: 22.3906px;\"\u003eAvant-garde Jazz, Gospel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":42541043613854,"sku":"789993992720","price":50.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/ABD-RFJ.jpg?v=1681289446"},{"product_id":"meshell-ndegeocello-the-omnichord-real-book","title":"Meshell Ndegeocello – The Omnichord Real Book","description":"\u003cp\u003eAcclaimed GRAMMY-winning multi-instrumentalist, singer, and songwriter Meshell Ndegeocello makes her Blue Note Records debut with The Omnichord Real Book, a visionary, expansive, and deeply jazz-influenced album that marks the start of a new chapter in her career. Following her 2018 album Ventriloquism, Meshell returns with an album of new original material that taps into a broad spectrum of her musical roots. The Omnichord Real Book was produced by Josh Johnson and features a wide range of guest artists including Jason Moran, Ambrose Akinmusire, Joel Ross, Jeff Parker, Brandee Younger, Julius Rodriguez, Mark Guiliana, Cory Henry, Joan As Police Woman, Thandiswa, and others. - \u003ca href=\"https:\/\/store.bluenote.com\/products\/meshell-ndegeocello-the-omnichord-real-book\" target=\"_blank\" rel=\"noopener\"\u003eBlue Note\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6m9xpYmSjwsV83YJ1TmJXA?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ctable class=\"table_1fWaB\" border=\"1\" style=\"border-collapse: collapse; border-width: 1px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLabel:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eBlue Note\u003cspan\u003e \u003c\/span\u003e– 00602448968951\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormat:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e2 x\u003cspan\u003e \u003c\/span\u003eVinyl,\u003cspan\u003e \u003c\/span\u003eLP, Album, Stereo\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCountry:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eEurope\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003ctime datetime=\"2023-06-16\"\u003e\u003cspan style=\"color: #000000;\"\u003e16 Jun 2023\u003c\/span\u003e\u003c\/time\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGenre:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eJazz,\u003cspan\u003e \u003c\/span\u003eFunk \/ Soul\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStyle:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eAvant-garde Jazz,\u003cspan\u003e \u003c\/span\u003eJazz-Funk,\u003cspan\u003e \u003c\/span\u003eNeo Soul,\u003cspan\u003e \u003c\/span\u003eFusion\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blue Note Records","offers":[{"title":"Default Title","offer_id":42640194502814,"sku":"11368","price":60.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/MeshellNdegeocelloTheOmnichordRealBookCoverArt_1024x_3427a8d4-dab8-46b8-b156-352212c6a3b3.jpg?v=1687869672"},{"product_id":"damon-locks-rob-mazurek-new-future-city-radio","title":"Damon Locks \u0026 Rob Mazurek – New Future City Radio","description":"\u003cp\u003e\u003cem\u003eNew Future City Radio\u003c\/em\u003e is the first duo collaboration of longtime creative partners Damon Locks \u0026amp; Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people.\u003cbr\u003e\u003cbr\u003eThese two artists have worked together from the peak days of the late 90s \/ early 00s Chicago music scene up through the present day, which has seen Locks featured as lead vocalist of multiple critically-acclaimed Exploding Star Orchestra (ESO) albums composed\/produced by Mazurek and released by \u003cem\u003eInternational Anthem\u003c\/em\u003e (IARC) in 2020 (\u003cem\u003eDimensional Stardust\u003c\/em\u003e) and 2023 (\u003cem\u003eLightning Dreamers\u003c\/em\u003e). In recent years, Locks has also earned great renown from his revolutionary, expansive latter-day gospel\/jazz project Black Monument Ensemble (BME), with which he’s released two albums on IARC (2019’s \u003cem\u003eWhere Future Unfolds\u003c\/em\u003e and 2021’s \u003cem\u003eNOW\u003c\/em\u003e). New Future City Radio finds the artists creating a natural but innovatively-assembled blend of the sounds of those two projects, with Locks’s BME-style sample-based sound collage creating compositional beds underneath the signature Orson Welles-like vocal\u003cspan class=\"bcTruncateMore\"\u003e delivery he’s developed through his work with ESO, alongside Roland SP flourishes and arresting brass improvisations by Mazurek.\u003cbr\u003e\u003cbr\u003eThemes both sonic and text based were predetermined but improvisation leads the journey. The music these two have devised may sound overtly bombastic one moment and gently transportive the next, and often somewhere in between. When asked about New Future City Radio the duo exclaim in one voice: \"I'm talking post, post, post, future. I'm talking resilience and levitation. I'm talking beauty and structural integrity for my people. I'm talking light beams that tell stories and educate. Let's talk about that if you wanna talk new future!\"\u003c\/span\u003e \u003ca href=\"https:\/\/www.soundohm.com\/product\/new-future-city-radio\"\u003eSoundohm\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0jX6gj8Mt8N6MnvUXGYIYk?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"table_1fWaB\" border=\"1\" style=\"border-collapse: collapse; border-width: 1px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLabel:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eInternational Anthem Recording Company\u003cspan\u003e \u003c\/span\u003e– IARC0068\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormat:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e\u003cspan style=\"color: #000000;\"\u003eVinyl,\u003cspan\u003e \u003c\/span\u003eLP, Album\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCountry:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eUS\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003ctime datetime=\"2023\"\u003e\u003cspan style=\"color: #000000;\"\u003e2023\u003c\/span\u003e\u003c\/time\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGenre:\u003c\/span\u003e\u003c\/th\u003e\n\u003ctd style=\"border-width: 1px;\"\u003e\u003cspan style=\"color: #000000;\"\u003eJazz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" style=\"border-width: 1px;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStyle:\u003c\/span\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":42695716208798,"sku":"789993993314","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/Screenshot-2023-08-08-at-6-18-42-PM.png?v=1691490017"},{"product_id":"miles-spilsbury-light-manoeuvres","title":"Miles Spilsbury – Light Manoeuvres","description":"\u003cp\u003e\u003cspan\u003eDebut album from UK jazz saxophonist and composer Miles Spilsbury, featuring Carlos Niño. Produced by Slugabed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLight Manoeuvres is about warmth, generosity and openness. The music which would become Light Manoeuvres was sketched in fragments, but began to take shape in earnest during a period of living under the Marseille haze in the South of France. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe specific character and opacity of the light in Marseille inspired the album title which imagines the movement of light passing over different subjects and spaces in intricate motion. Sand blows over from the Sahara on the Sirocco wind and is whipped up by the Mistral, the Marseille sky becomes golden and vapoured, then intermittently pastel blue. That image stuck while shaping this body of work, and became integral to the function of the compositions - which act as jumping off points for the players and myself, vehicles for improvisation and gateways to something else entirely. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Brilliant brilliant\" · Gilles Peterson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Out of nowhere Brilliant deep jazz album\" · Sounds Of The Universe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Lovely stuff, so much great new jazz coming out of the UK lately!\" - \u003ca href=\"https:\/\/new-dawn.bandcamp.com\/album\/light-manoeuvres\"\u003eBandcamp\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"100%\" height=\"500\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2RCzcVAzgRQG91MZ6RQSTb?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003cbr\u003e—\u003cbr\u003eLabel: New Dawn – ND 012\u003cbr\u003eFormat: Vinyl, LP\u003cbr\u003eCountry: UK\u003cbr\u003eReleased: Nov 2023\u003cbr\u003eGenre: Jazz\u003cbr\u003e—\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"New Dawn","offers":[{"title":"Default Title","offer_id":43026976538782,"sku":"8720648038211","price":45.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a3154841517_5.jpg?v=1702895739"},{"product_id":"kofi-flexxx-flowers-in-the-dark","title":"Kofi Flexxx – Flowers In The Dark","description":"\u003cp\u003eKofi Flexxx is not a person, it's a new project of British artist Shabaka Hutchings, renown by his previous successful bands, The Comet Is Coming, Shabaka \u0026amp; the Ancestors and Sons Of Kemet. Here on Flexxx,  Shabaka acts as a producer, collecting a strong team of co-patriots, pianist Alexander Hawkins (of the Convergence Quartet and Decoy) and three young females - drummer Jas Kayser, bassist Daisy George, plus flutist Ross Harris (of today's on-the top jazz hip-hop band Speakers Corner Quartet). The line-up is supported by six guests - singers\/rappers. It’s probably safe to assume that Hutchings (who also records mononymously as Shabaka) is a key conduit of this expansive, collaborative record, a jazz-adjacent work with elements of improvisation featuring many Hutchings associates.\u003c\/p\u003e\n\u003cp\u003eAll of Shabaka's previous music was eclectic, but this new work goes even further, almost each song is stylistically different. Repetitive African rhythms and minimalist tunes flying over them are two things uniting the album's music (and providing that specific for all of Shabaka's usual sound aesthetics). He will be retiring his principal instrument, the tenor sax, at the end of the year. — (via \u003ca href=\"https:\/\/www.jazzmusicarchives.com\/review\/flowers-in-the-dark\/561765\" target=\"_blank\" rel=\"noopener\"\u003eJazz Music Archives\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"600\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2N6hNjqtXf9PimVTiKhMY8?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e↓\u003cbr\u003eLabel: Native Rebel Recordings\u003cbr\u003eFormat: Vinyl, LP\u003cbr\u003eCountry:    UK\u003cbr\u003eReleased: Nov 10, 2023\u003cbr\u003eGenre: Hip Hop, Jazz\u003cbr\u003e⦿\u003c\/p\u003e\n\u003cp\u003eFile under: Modern \/ Future Jazz\u003c\/p\u003e","brand":"Native Rebel Recordings","offers":[{"title":"Default Title","offer_id":43096829493406,"sku":"5063176012012","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a3574873322_10.jpg?v=1705551431"},{"product_id":"isaiah-collier-parallel-universe","title":"Isaiah Collier – Parallel Universe","description":"\u003cp\u003eChicago-based innovator and educator Isaiah Collier is opening up new dimensions in the jazzwise continuum. A saxophonist by trade whose multi-instrumental talents and compositional prowess have stretched the limits of the form, \"Parallel Universe\" represents a new chapter in Collier’s musical journey. \u003cspan\u003eRecorded in single-take live performances, he deftly throws funk, gospel, soul and his own fine voice into the mix. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eName-checking Sun Ra, Ras G, J Dilla, Fela Kuti, Miles Davis, Gil Scott-Heron, Whitney Huston, Aaliyah and Frankie Knuckles, the opening track of \"Parallel Universe\" imagines a genreless musical lineage that resonates with the polyphony of stories his band bring to the table, from Chicago and beyond. \u003cspan\u003eFeaturing gospel soul singer Jimetta Rose, AACM and former Art Ensemble of Chicago trumpet player Corey Wilkes, blues-rooted guitarist Michael Damani, regular collaborators Julian Davis Reid, James Russell Sims and Micah Collier, the 8-track album bristles with a sense of love and understanding between players at the top of their game.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"bcTruncateMore\"\u003e“Give me that feeling that makes me feel like I’m alive,” Collier enthuses. “People can tell when you’re taking chances. I know that’s what everybody is looking for.”\u003c\/span\u003e\u003cspan\u003e — (via \u003ca href=\"https:\/\/isaiahcollier.bandcamp.com\/album\/parallel-universe?label=1966762493\u0026amp;tab=music\" target=\"_blank\" rel=\"noopener\"\u003eBandcamp\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"630\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4ZEbUlAx8WKxp7pDlKQLeL?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e↓\u003cbr\u003eLabel: Night Dreamer\u003cbr\u003eFormat: 2x Vinyl, LP, Album\u003cbr\u003eCountry: UK\u003cbr\u003eReleased: Nov 24, 2023\u003cbr\u003eGenre: Jazz, Folk, World\u003cbr\u003eStyle: Soul-Jazz, Afro-Cuban Jazz, Fusion, Afrobeat, Gospel, Modal\u003cbr\u003e⦿\u003c\/p\u003e\n\u003cp\u003eFile under: Modern \/ Future Jazz\u003c\/p\u003e","brand":"Night Dreamer","offers":[{"title":"Default Title","offer_id":43146184818846,"sku":"0792649245972","price":60.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/products\/a1420284161_10.jpg?v=1706611254"},{"product_id":"gogo-penguin-man-made-object","title":"GoGo Penguin – Man Made Object","description":"\u003cp\u003eComing off their sophomore effort, 2014's Barclaycard Mercury Prize-shortlisted V2.0, GoGo Penguin return with their equally ambitious 2016 follow-up, \u003cem\u003eMan Made Object\u003c\/em\u003e. A jazz trio at their core, Britain's GoGo Penguin have garnered well-earned plaudits for their distinctive, genre-bending sound that combines elements of forward-thinking post-bop with stylistic elements borrowed from indie rock and electronic dance music -- all without the aid of any actual electronic instrumentation.\u003c\/p\u003e\n\u003cp\u003eShowcased in GoGo Penguin are the talents of pianist Chris Illingworth, bassist Nick Blacka, and drummer Rob Turner. Together on \u003cem\u003eMan Made Object\u003c\/em\u003e, they perform wholly original compositions that straddle the line between group improvisations and well-constructed thematic compositions.\u003c\/p\u003e\n\u003cp\u003eCuts like \"All Res,\" \"Branches Break,\" and the driving, punky \"Smarra,\" all have the signifiers of jazz (sophisticated harmonies, kinetic rhythms, and an introverted, exploratory energy), but play out more like an adventurous Radiohead track, or the soundtrack music to a '70s heist film. The results bring to mind the work of similarly inclined artists like pianist Brad Mehldau and groups like the Bad Plus and Medeski, Martin \u0026amp; Wood. There's also a ruminative, impressionistic vibe running through much of the material on Man Made Object that positions GoGo Penguin at the vanguard of the new British jazz movement alongside the likes of trumpeter Matthew Halsall and bassist Jasper Hoiby's trio Phronesis. Comparisons aside, what sets GoGo Penguin apart from their contemporaries is their inventive group interplay and knack for dramatic arranging. Often, Illingworth will set up a pattern on piano, like the spritely, dancing intro to \"Unspeakable Word,\" and Blacka and Turner will join in, answering his pattern with their own contrapuntal footwork. Just as you think the trio are going to lock up legs and topple over, they fall into a gorgeous minor-key stride and dissipate into a sweepingly ominous mid-song bass solo. Ultimately, it's these moments of dazzling group dynamics that help make Man Made Object a jazz-infused work of art on GoGo Penguin's own terms. — (via \u003ca href=\"https:\/\/www.allmusic.com\/album\/man-made-object-mw0002906382\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003eThough 2014 Mercury Prize contenders GoGo Penguin are a jazz-schooled trio who now record for Blue Note, they’re a lot more interested in the nuances of groove, and in the contact points between acoustic and machine music, than in jazz as most beboppers know it. This Blue Note debut follows the minimalism-to-maelstrom paths of Fanfares and the more electronic v20, but many of these tracks started life on sequencers and then evolved through real-time group acoustic improv. Chris Illingworth’s looping piano motifs with their casual classical flourishes, Nick Blacka’s bowed bass and Rob Turner’s hustling drums sometimes fuse with a hip equanimity reminiscent of Robert Glasper; Weird Cat and the folksy Initiate show that GoGo tunes don’t have to be sparse; and the captivating Smarra is a highlight for its threading of an echoey, synth-mimicking throb through a humming undertow toward a deluge of cymbals. It still feels like clubbing music, and perhaps best heard live, but plenty of house and techno fans might be surprised by how good at partying three closet-jazzers can be. — (via \u003ca href=\"https:\/\/www.theguardian.com\/music\/2016\/feb\/11\/gogo-penguin-man-made-object-review-blue-note\" target=\"_blank\" rel=\"noopener\"\u003eThe Guardian\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"152\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3EhWiub8XqFk3nQbYcJq4o?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel:  Blue Note \u003cbr\u003eFormat: 2 x Vinyl, LP, Album, Stereo\u003cbr\u003eRepressed: 2025 \/ Originally released: 2016\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle:  Contemporary Jazz, Modern Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz \/\/ Modern\/Future Jazz\u003cbr\u003e⦿\u003c\/p\u003e","brand":"Blue Note Records","offers":[{"title":"Default Title","offer_id":45776356802718,"sku":"0246523119","price":60.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/Screenshot-2025-07-13-222130_d1605657-e2ee-4f7f-a393-0dba7fbc7b6b.png?v=1752418294"},{"product_id":"various-artists-primasuara-a-definitive-collection-of-indonesias-best-kept-secret-jazz-chops","title":"Various Artists - Primasuara: A Definitive Collection Of Indonesia's Best-Kept Secret Jazz Chops","description":"\u003cp\u003e\u003cem\u003ePrimasuara\u003c\/em\u003e is a fresh take on the Indonesian jazz scene, featuring 11 tracks from talents of the archipelago such as Batavia Collective, We Are Neurotic, Littlefingers, and many more. Released in vinyl record format by Lamunai Records and curated by Daniel Adisumarta.\u003c\/p\u003e\n\u003cp\u003e'In essence, this compilation is designed to take you on a musical adventure through Indonesia’s modern groove scene, featuring the vanguards of the movement, filled with soaring breaks, introspective chord progressions, jaw-clenching grooves, and soul-soothing tones' (Chandra Drews, 2024), is a fitting and appropriate description that encapsulates this compilation. — (via \u003ca href=\"https:\/\/lamunairecords.bandcamp.com\/album\/primasuara\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePrimasuara\u003c\/em\u003e is a snapshot of the vibrant Jazz scene bubbling in Indonesia. compiled by the team at Jakarta based La Munai records, The eleven track compilation shines a light on a number stunning musicians across the homeland. The compilation takes on a fusion vibe that provides instant satisfaction. Pianist Kevin Suwandhi \u0026amp; Kanhaiya opens the disc with “Kimberly” a futuristic blend of classical sensibilities end infectious groove. “Nothingness” is high energy fusion from Moon Pedestrian. “Mango Tree Replant” is a mellow slow burn from vocalist Komang. Eleven different performers contributing sizzling compositions. They all deserve a deep dive into their catalogue. A compilation that’s impressive as any you’ll hear this year. Recommended. — (via \u003ca href=\"https:\/\/www.basic-soul.co.uk\/wp\/2024\/09\/30\/va-primasuara-la-munai-records\/\" target=\"_blank\" rel=\"noopener\"\u003eBasic Soul\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/3pY3SPkh5yMAmqT63gSsXL?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: La Munai Records \u003cbr\u003eFormat: Vinyl, LP, Compilation\u003cbr\u003eReleased: 2024\u003cbr\u003eGenre: Jazz, Electronic\u003cbr\u003eStyle: Contemporary Jazz, Modern Jazz, Indonesian Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz \/\/ Modern Jazz\u003cbr\u003e⦿\u003c\/p\u003e","brand":"La Munai","offers":[{"title":"Default Title","offer_id":46012574007454,"sku":"LMR017","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a_5e9ec31a-8c49-4869-8676-55deecf2a5cf.jpg?v=1758694352"},{"product_id":"kassa-overall-cream","title":"Kassa Overall - CREAM","description":"\u003cp\u003eGRAMMY-nominated jazz visionary and Doris Duke Artist Award winner Kassa Overall presents \u003cem\u003eCREAM\u003c\/em\u003e. Eight interpretations of hip-hop classics by The Notorious B.I.G., Wu-Tang Clan, Dr. Dre, A Tribe Called Quest, OutKast, Digable Planets, and Juvenile.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eHot on the heels of winning the Doris Duke Artist Award, drummer, composer, producer, and rapper Kassa Overall delivers \u003cem\u003eCREAM\u003c\/em\u003e, his fourth long-player and second album on Warp. While jazz and hip-hop have been bound together since Guru released Jazzmatazz in 1993, this set turns that notion on its head. \u003cem\u003eCREAM\u003c\/em\u003e, named after Wu-Tang Clan's \"Cash Rules Everything Around Me,\" offers hip instrumental versions of seven rap classics and a cover of \"Freedom Jazz Dance,\" an Eddie Harris tune immortalized by Miles Davis. Overall reimagines hip-hop classics as jazz standards, exploring compositional architectures and subtle harmonies, and nearly discovering hidden rhythmic complexities. The music was recorded live in studio and released without overdubs, edits, or re-recordings. Overall plays drums and is accompanied by tenor and soprano saxophonist Emilio Modeste, tenor saxist Tomoki Sanders (two tracks), flutist Anne Drummond, keyboardist Matt Wong, electric bassist Jeremiah Kal'ab, double bassist Rashaan Carter, and conguero Bendji Allonce.\u003c\/p\u003e\n\u003cp\u003eThe opener, Harris' oft-covered standard \"Freedom Jazz Dance,\" resembles the original more than the Davis reading. Overall's drum kit introduces its syncopated beat with his own breaks added as Modeste and Wong usher in the R\u0026amp;B-centered melody on organ and tenor saxophone. With congas falling in the backdrop, Carter's bass guides Overall's beat as the frontline moves through the melody into post-bop improvisation. Overall ratchets the intensity with funky, elongated snare and hi-hat before Wong grabs his piano and delivers a brief, deft solo break.\u003c\/p\u003e\n\u003cp\u003eNotorious B.I.G.'s \"Big Poppa\" is rendered as 21st century post-bop with Drummond's flute leading the ensemble as Modeste colors her playing and Overall lays down a Brazilian samba rhythm atop expansive chords and double bass. Wu-Tang's \"C.R.E.A.M.\" is rendered in modal post-bop with gloriously subtle Afro-Latin beats as Overall and Allonce enter a polyrhythmic conversation buoying soprano sax, electric bass, and piano.\u003c\/p\u003e\n\u003cp\u003eTwinned tenor saxophones introduce the piano vamp in Digable Planets' \"Rebirth of Slick (Cool Like Dat)\" before Wong's fiery piano nearly steals the show. He, Overall, and Carter go head to head before the saxophonists' each take solos. Dr. Dre's \"Nothin' But a 'G' Thang\" is rendered as bluesy spiritual jazz led by bass clarinet, flute, and tenor saxophone atop shakers, bells, a downbeat tempo, and a slow-walked bassline.\u003c\/p\u003e\n\u003cp\u003eA Tribe Called Quest's original \"Check the Rhime\" had ties to jazz organically, but here the funky interplay between drummer, bassist, and tenor saxophonist is sensuously funky and harmonically sophisticated as it moves through its various sections with a beautiful tenor solo from Modeste. OutKast's \"SpottieOttieDopaliscious\" is grooving post-bop, while Juvenile's closer \"Back That Azz Up\" showcases Overall's canny charts as his soloists build on harmonic and rhythmic palettes.\u003c\/p\u003e\n\u003cp\u003eOverall's work has always been compelling, but on \u003cem\u003eCREAM\u003c\/em\u003e he makes a giant leap forward. You can place this excellent work next to Robert Glasper's Covered and Moses Boyd's Dark Matter. All killer, no filler. — (via Thom Jurek \/\/ \u003ca href=\"https:\/\/www.allmusic.com\/album\/cream-cash-rules-everything-around-me-mw0004582956\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/65GIBuA6SrrV8pfjbcgtw7?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/P68mg5Lm3Jk?si=_hl653DSGvPuK7Op\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZAQovHe_dPQ?si=KLaFhV8gOeUx-UUC\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Warp Records \u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Jazz, Funk \/ Soul\u003cbr\u003eStyle: Jazz Funk, Modern Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz \/\/ Modern Jazz\u003cbr\u003e⦿\u003c\/p\u003e","brand":"Warp Records","offers":[{"title":"Default Title","offer_id":46044702867614,"sku":"5056818803789","price":55.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a_816fe4f1-63e2-4b1e-9fe2-fdea393dfc87.jpg?v=1759759931"},{"product_id":"pino-palladino-blake-mills-that-wasnt-a-dream","title":"Pino Palladino, Blake Mills - That Wasn't A Dream","description":"\u003cp\u003eBassist Pino Palladino and guitarist Blake Mills announce \u003cem\u003eThat Wasn't A Dream\u003c\/em\u003e, a new album out August 2025 on New Deal \/ Impulse! Records.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Wasn't A Dream\u003c\/em\u003e is a statement of intent from two singular musicians. The Grammy-winning Palladino has reshaped what bass can be in popular music, performing with everyone from D’Angelo to Nine Inch Nails, from Erykah Badu to John Mayer. Meanwhile, Grammy-winner and two-time Producer of the Year-nominee Mills is one of today’s most sought-after producers and multi-instrumentalists, known for his work with Alabama Shakes, Bob Dylan, Fiona Apple, and Perfume Genius as well as his own acclaimed solo albums.\u003c\/p\u003e\n\u003cp\u003ePitchfork described the duo's 2021 debut \u003cem\u003eNotes With Attachments\u003c\/em\u003e as “the sound of consummate collaborators imagining a world where there’s no such thing as a lead performer.” On \u003cem\u003eThat Wasn't A Dream\u003c\/em\u003e, they further dissolve any sense of hierarchy, imbuing their spontaneous compositions with an organic, precisely balanced inner logic. It's quietly audacious, a radical application of their ever-evolving musical chemistry.\u003c\/p\u003e\n\u003cp\u003eTo accompany the album announcement, they've shared the video for lead single “Taka,” a progression of instrumental athletics and generous melodic gestures that builds towards an almost kaleidoscopic funk.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Wasn't a Dream\u003c\/em\u003e was recorded over a two-month period in the legendary Studio A at Sound City Studios, the room Mills has helmed since 2018. These sessions pulled in collaborators old and new, most notably Sam Gendel, who performed throughout Notes With Attachments and contributed finishing touches for nearly every track on \u003cem\u003eThat Wasn’t a Dream\u003c\/em\u003e. Though ultimately, this record feels like a deepening of the core relationship between Palladino and Mills.\u003c\/p\u003e\n\u003cp\u003eIf \u003cem\u003eNotes With Attachments\u003c\/em\u003e was about creating cohesion out of layered spontaneity, \u003cem\u003eThat Wasn’t a Dream\u003c\/em\u003e finds coherence through restraint. As Palladino explains, some of the compositions grew from harmonically dense ideas that were later reduced to the barest essentials. \"It came to light, really, that if we could make something work with the least possible ingredients, space could become the centerpiece,\" says Palladino.\u003c\/p\u003e\n\u003cp\u003eIt was also a chance to innovate; one early Palladino sketch, \"What Is Wrong With You?,\" was Mills’s first opportunity to experiment with the prototype of a new instrument, the fretless baritone sustainer guitar, which Mills helped luthier Duncan Price to develop in 2021, and has since been used on numerous productions, as well as live performances with Joni Mitchell.\u003c\/p\u003e\n\u003cp\u003e\"The fretless sustainer can sound almost like a cross between a woodwind, brass, and bowed string instrument,” says Mills. “It’s a tough instrument to control or define.” That undefinable sound, along with a playful approach to minimalism, set the tone for the rest of the album’s writing and recording sessions that would take place almost three years later.\u003c\/p\u003e\n\u003cp\u003eAs a result, the music on \u003cem\u003eThat Wasn’t A Dream\u003c\/em\u003e goes from being deceptively intimate to beautifully disordered. It’s music that rewards close listening: subversive but naturalistic, harnessing chaos with intention, unveiling new forms of beauty all along the way. — (via \u003ca href=\"https:\/\/www.universalmusic.ca\/press-releases\/blake-mills-pino-palladino-announce-that-wasnt-a-dream\/\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eOn their second record together, Mills and Palladino strip away all excess, building hushed, hypnotic grooves out of bass and fretless baritone guitar, and cushioning it all in copious empty space.\u003c\/p\u003e\n\u003cp\u003eConsider the strange physics of being a passenger: You’re at once in motion and at rest, paradoxically traveling without moving. Scenery hurries by your window. Sometimes your eyes unfocus, scanning a flattened blur of color; other times they might zero in on a road sign or a single leaf, following it out of frame. When you arrive, it’s as if time and space are just behind your shoulder, catching up. That’s the feeling of listening to \u003cem\u003eThat Wasn’t a Dream\u003c\/em\u003e, the spacious and surreal new album from Pino Palladino and Blake Mills. Each song achieves stillness through constant movement and resolution through continuous tension. Isolated melodies occasionally blend into a harmonic cloud before separating once again, drifting nebulously yet highly organized.\u003c\/p\u003e\n\u003cp\u003eThe jazz duo’s first record, 2021’s \u003cem\u003eNotes With Attachments\u003c\/em\u003e, mined similar territory, if a bit busier. Its compositions had the brisk motion of a crowded city sidewalk rather than the hazy liminality of a long train ride. Palladino, the 67-year-old Welsh sideman who’s played with D’Angelo, Don Henley, and De La Soul, hooked his basslines around syncopated percussion and legato tones. Mills, a sought-after producer who’s worked with Beck, Fiona Apple, and Alabama Shakes, carefully inserted staccato guitar plucks between the gaps in rhythmic lines. Alongside a who’s who of contemporary jazz musicians, including saxophonist Sam Gendel and drummer Chris Dave, Palladino and Mills constructed wholly new shapes out of interlocking elements.\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eThat Wasn’t a Dream\u003c\/em\u003e, they started with similarly complex arrangements but methodically disassembled them, leaving plenty of air between each sound. “If we could make something work with the least possible ingredients, space could become the centerpiece,” Palladino said in a statement. The result is a sparse, enchanting record where time passes circuitously and phrases brush against each other like branches in the wind.\u003c\/p\u003e\n\u003cp\u003eThe grooves on \u003cem\u003eNotes With Attachments\u003c\/em\u003e could be spiky and nonintuitive, locking deeper into place with each additional layer. Here, Palladino and Mills operate with more restraint, patiently allowing a pocket to develop from a small handful of notes. That often means spotlighting the drums for several bars, cyclical patterns settling like a topsheet wafted above a mattress. The first 10 seconds of “What Is Wrong With You” establish its lysergic lurch with a simple combination of quarter-note hi-hats and a gently swinging kick drum. Palladino’s four-note bassline leaves a wide margin between the downbeat and the end of each measure; Mills’ baritone guitar melody slithers into view, smearing the tune together like a gestural painting. Midway through “Taka,” a bubbling stew of electro-funk, the synth and bass drop out completely, leaving a drum-machine sequence and percussion that sounds like clinking wine glasses to churn in place unimpeded.\u003c\/p\u003e\n\u003cp\u003eA large part of the album’s magic comes from its textural palette. Closely recorded acoustic guitars sound like church bells; woodwinds resemble analog keyboards with the noise circuit cranked; human voices are mixed to the fore and kept dry, as if tracked in an anechoic chamber. Mills plays a fretless baritone sustainer guitar, which has an unclassifiable sound somewhere between a muted horn and a bowed bazantar. Gendel’s signature mutated saxophone makes a few appearances, but he also crafts wispy, barely there synth pads and an electronic wind controller patch that mimics a harp. Songs can quickly swing from organic to otherworldly, like on “Somnabulista,” where a third of the way through, a flute and vocal refrain gives way to the uncanny, CGI fusion you’d hear on a Mark Egan record. It’s bewitching; everything you’re hearing is familiar but just slightly off.\u003c\/p\u003e\n\u003cp\u003eThe centerpiece of\u003cem\u003e That Wasn’t a Dream\u003c\/em\u003e is the hallucinatory one-chord stunner “Heat Sink.” A chiming baritone figure reminiscent of Sam Wilkes’ more sentimental moments carries through its entirety, and a single splashy cymbal marks time, keeping each instrument on a loose tether as it explores the outer reaches. The band members (including Palladino’s son Rocco, also on bass) seem both locked in and completely independent, flickering around each other like atomic orbitals. Every few moments, distorted, overdriven melodies overlap and harmonize, resonant frequencies fusing into a softly glowing drone. “Heat Sink” is completely beguiling, a wall of sound that’s equally mesmerizing if admiring its towering totality or scrutinizing every exquisite detail. It feels both longer and shorter than its 14 minutes, a trick that Palladino and Mills pull off on every track on the album; each lyrical passage is an instruction manual for experiencing nonlinear time. \u003cem\u003eThat Wasn’t a Dream\u003c\/em\u003e is music as quantum theory, using the expanse between speakers to pass through dimensions. — (via \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/pino-palladino-blake-mills-that-wasnt-a-dream\/\" target=\"_blank\" rel=\"noopener\"\u003ePitchfork\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/5pDATa5kjuLPlh1zALzCrl?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f6s5JavYgE0?si=Jc1SoLml82Vhyx05\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Impulse!, New Deal Music \u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Modern\/Future Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz \/\/ Modern\/Future Jazz\u003cbr\u003e⦿\u003c\/p\u003e","brand":"Impulse! \/ New Deal","offers":[{"title":"Default Title","offer_id":46196935983262,"sku":"602478375873","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a_910ca59f-b294-4ba8-bd7a-b63fb3e2b370.jpg?v=1763272536"},{"product_id":"moses-yoofee-trio-ocean","title":"Moses Yoofee Trio - Ocean","description":"\u003cp\u003eHaving built an impressive following on the back of live performances and social media, Berlin’s Moses Yoofee Trio shared Ocean their impatiently awaited debut mini-album, in November 2023. In early 2025, they followed up with the release of their acclaimed first full-length ‘MYT’. Since then the trio’s boundary-pushing fusion of jazz, soul, RnB and hip hop has been turning heads far beyond their hometown.⁠\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOcean's\u003c\/em\u003e tunes – written during sessions in mid-2022 at Berlin’s Brewery Studios and swiftly recorded by house engineer Erik Breuer, then mixed by Tytus Lesczcynski – reflect the spontaneity, inspiration and instinctive refinement of their performances.\u003c\/p\u003e\n\u003cp\u003eThe deliciously frantic title track and increasingly ecstatic MINOR ISSUES stand in stark contrast to AT EASE’s restrained complexity, while FRAGILE’s hypnotic rhythm betrays their love of hip-hop and the lush RICHMOND is driven by a deliciously low-strung groove before shifting up a gear for its climax. “Everybody loves fusion,” the band agree, “even if they don’t admit it,” but that’s only one element of the trio’s sophisticated style, with Moses’ exceptional keyboard skills illuminated by Roman’s fluid bass lines and Noah’s eloquent drum patterns.  — (via \u003ca href=\"https:\/\/mosesyoofeetrio.bandcamp.com\/album\/ocean\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003cbr\u003e\u003cem\u003eOcean\u003c\/em\u003e is a treasure of an album. Populated by the calibre of musicianship that people dream of but more than that, and more importantly, the music communicated speaks directly to your soul. Beautifully realised, executed with an abundance of flair, panache and some of the coolest playing around I’m quietly relieved that this sounds just as great on my second return.\u003c\/p\u003e\n\u003cp\u003eThe way the piano, drums and bass intertwine is something to behold. Each playing defining roles, each talking up heavenly emotions. There is also a searing, almost nervous sense of urgency here, perhaps that’s in large part due to the frantic, brilliant drumming as it stabs and highlights phrases, time and spaces. I also love the sound of the production which sits in-between heightened impulse and wide open places allowing for breath, which you’ll definitely need after being carried along by this Jetstream of propulsive music. Try the title track.\u003c\/p\u003e\n\u003cp\u003eIt’s likewise about the way piano chords are almost casually cast, like rolls of a dice, yet are so perfectly placed they score big. Try, Richmond. Or the grainy realities suggested by the proceeding Minor Issues with its super-fast, attention to detail, fiery and fine. But whatever you do, you must definitely replay the sublime opener, At Ease as it talks so eloquently for itself. Speaking with a restless, soulful intent in many languages. — (via \u003ca href=\"https:\/\/www.magazinesixty.com\/moses-yoofee-trio-ocean-leiter\/\" target=\"_blank\" rel=\"noopener\"\u003eMagazine Sixty\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/49OQ0olaFPRgnCu2bTqqjA?utm_source=generator\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BnKGjSSu2xU?si=1yM8jbxiyumg4hiw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Leiter\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo\u003cbr\u003eReissued: 2025 \/ Original: 2023\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Modern\/Future Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz \/\/ Modern \/ Future Jazz\u003cbr\u003e⦿\u003c\/p\u003e","brand":"Leiter","offers":[{"title":"Default Title","offer_id":46213273190558,"sku":"4066004773063","price":48.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a3745617834_10.jpg?v=1763653871"}],"url":"https:\/\/theanalogvault.mom\/collections\/genre-future-jazz.oembed","provider":"The Analog Vault","version":"1.0","type":"link"}